News
Buckingham Palace Refuses To Return Remains of Ethiopian Prince Who is Buried in Windsor Castle Grounds

Buckingham Palace has refused to return the body of an Ethiopian prince who was buried at Windsor Castle in the 19th century.
According to Mail Online, a descendant of Prince Alemayehu, an orphan who was adored and supported financially by Queen Victoria and died at the age of 18, has demanded that his remains be returned to Ethiopia.
However, Buckingham Palace has maintained that removing the body would affect others buried in the catacombs of St George’s Chapel in Windsor Castle.
The Palace said that chapel authorities empathised with the need to honour Prince Alemayehu’s memory, but added they also had ‘the responsibility to preserve the dignity of the departed’.

Prince Alemayehu was brought to England after his father, Emperor Tewodros II killed himself as British forces stormed his mountain-top palace in northern Ethiopia in 1868.
The orphaned seven-year-old was adored by Queen Victoria and educated at Sandhurst military academy. But he tragically died at the age of 18 from pneumonia in 1879 and was buried in catacombs next to Windsor’s St George’s Chapel.
In 2019, the Queen refused to allow the repatriation of his bones, but in the wake of a new book about his life, campaigners have renewed calls to return them.

One of his descendants Fasil Minas told the BBC: ‘We want his remains back as a family and as Ethiopians because that is not the country he was born in’, and added ‘it was not right’ for him to be buried in the UK.
But a Buckingham Palace spokesman said: ‘It is very unlikely it would be possible to exhume the remains without disturbing the resting place of a substantial number of others in the vicinity [in the catacombs of St George’s Chapel].’
The statement added that the palace also had a ‘responsibility to preserve the dignity of the departed’.

Alamayu’s father, King Tewodros II, known as ‘Mad King Theodore’, had wanted to be friends with the British and wrote a letter to Queen Victoria in 1855.
After she failed to reply to that and a follow-up letter, Tewodros took the British consul and several missionaries hostage in a high mountain jail.
An army of nearly 40,000 British troops were sent to rescue the 44 hostages. They lay siege in April 1868 to Tewodros’ mountain fortress at Maqdala in northern Ethiopia and emerged victorious.
As the successful mission neared its conclusion, Tewodros took his own life. Tewodros’s wife, Alamayu’s mother, died on her way down the mountain, leaving her son an orphan.
The British also took thousands of cultural and religious artefacts including gold crowns and necklaces, alongside the prince.
According to historian Andrew Heavens, this was done in order to keep them safe from the Tewodros’ enemies, who had been close to Maqdala.
Following his arrival in June 1868, he met the Queen at her holiday home on the Isle of Wight, off England’s South Coast. She later wrote in her diary that he was ‘a very pretty sight, a graceful boy with beautiful eyes and a nice nose and mouth, though the lips are slightly thick’.

Alamayu was put under the guardianship of Captain Tristram Charles Sawyer Speedy, who had accompanied the prince from Ethiopia.
Whilst the Queen had wanted him to remain on the Isle of Wight, he went first with Speedy to India before the Treasury ordered that he be properly educated.
He was sent to Cheltenham and Rugby and then on to Sandhurst, but struggled with his studies.
The prince caught pneumonia when he fell asleep outside one night. After refusing to eat, he passed away whilst living in Headingly, in Leeds.
After learning of his death, Victoria wrote: ‘It is too sad! All alone in a strange country, without a single person or relative belonging to him… His was no happy life, full of difficulties of every king.’
Near his burial spot is a plaque bearing the inscription: ‘I was a stranger and you took me in.’
The Ethiopian government first demanded the return of Alamayu’s remains in the 1990s. But Palace officials have previously insisted that they cannot recover them without disturbing those of others.
Campaigner Alula Pankhurst, who sits on Ethiopia’s cultural restitution committee, told The Times that the argument is just an ‘excuse for not dealing with it.’
‘Bringing this young man home means unearthing uncomfortable truths that people don’t want to think about.
In 2019, Ethiopia’s ambassador to London, Fesseha Shawel Gebre, urged the Queen to consider how she would have felt if one of her relatives was buried in a foreign land.
‘Would she happily lie in bed every day, go to sleep, having one of her Royal Family members buried somewhere, taken as prisoner of war?’ he asked. ‘I think she wouldn’t.’
He insisted that the boy was ‘stolen’.
News
Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London


East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
News
Afrocentric Music Festival Invites 1,000 Music Artists!

Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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