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Benin Stun Morocco On Penalties To Reach AFCON Quarter-Finals

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Southampton’s Sofiane Boufal missed as Benin beat Morocco 4-1 on penalties

Benin produced a major surprise to beat Morocco 4-1 on penalties and book a quarter-final spot at the Africa Cup of Nations for the first time.

Mama Seibou hit the winning penalty to send 10-man Benin through after Khaled Adenon had been sent off in extra time.

In an incident-packed tie in Cairo, Moise Adilehou put Benin ahead before Youssef En-Nesyri equalised.

Morocco had a chance to win it with the last kick of normal time but Hakim Ziyech’s penalty struck a post.

Benin scored all their penalties in the shootout through Olivier Verdon, David Djigla and Tidjani Anaane before Seibou’s effort sparked wild celebrations on and off the pitch inside the Al Salam Stadium.

In what is only their fourth appearance at the Africa Cup of Nations, Benin will face Senegal in the quarter-finals on 10 July.

Wasteful Morocco pay the price

Morocco had progressed from the group stage with three wins and without conceding a goal.

Despite peppering Benin’s goal with 22 shots during the 120 minutes, they lacked cutting edge and are now on their way home from a tournament they were expected to do well in.

En-Nesyri and Ziyech both forced saves from keeper Saturnin Allagbe before Benin took the lead through Adilehou’s close-range volley following a corner.

Morocco were gifted their equaliser, an horrendous mistake by Jordan Adeoti allowing Mbark Boussoufa to set up En-Nesyri to fire under Allagbe.

Benin's players celebrate after beating Morocco at the Africa Cup of Nations
Benin are through to the quarter-finals despite not winning a match in normal time – all four games have been draws after 90 minutes

In the dying moments of normal time, Morocco were awarded a penalty when former West Brom and Sunderland midfielder Stephane Sessegnon fouled Achraf Hakimi.

However, Ziyech’s attempt hit a post and rebounded to safety.

Benin, who advanced to the last-16 as one of the best four third-placed teams in the group stage, played the final 23 minutes of extra time with 10 men when Adenon was sent off for a second bookable offence.

Morocco struggled to make the extra-man advantage count and paid the price as they lost the shootout.

Southampton’s Sofiane Boufal fired over the bar after Oussama Idrissi had scored Morocco’s opening penalty before En-Nesyri’s attempt was brilliantly diverted on to the bar by Allagbe.

Analysis

In truth this really wasn’t a very good game at all. Benin sat deep, they wanted to soak up the pressure that Morocco put on them. They did that. They were looking to maybe break on the counter attack or take their moment at a set-piece, which is what they did. They got a goal from a corner, as they hoped.

Morocco just didn’t pass the ball well enough. There didn’t seem to be enough urgency, until after that Benin goal. Then they stepped up a gear and seemed to really push forward and got the equaliser.

They even got a penalty that could have won them the game and even in extra time, when they had an extra man, they didn’t seem to have any way of playing together as a team.

They have got lots and lots of talent. There are lots of players who are great but they just couldn’t get it together. Benin go through thanks to their determination and defensive ability.

Entertainment Gists

Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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Entertainment Gists

Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

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Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.

For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”

Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.

Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.

Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.

Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.

“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”

Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.

Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”

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N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

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Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.

Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.

More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.

With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.

‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.

As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.

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