Yomi Fabiyi has once again called for the arrest of all involved in getting the CCTV footage of actor Baba Ijesha, defiling a minor.
He shared a post on his IG page this morning. It reads
He also shared an article from one Oriyom Hamzat, questioning why there was no blood gushing out from the victim when she was allegedly raped by the actor seven years ago.
”RE-BABA IJESA RAPE ACCUSATION: AN OVERVIEW
WHAT IS RAPE?
Rape allegation is a very serious offence, both for the complainant and the alleged. If rape was found to have taken place, the alleged could be facing a long sentence, if otherwise, the complainant too could face severe punishment. One good thing about the internet is that there are people who know how to talk, and there are people who know how to understand. Having seen series of videos posted online relating to the case of Lanre Omiyinka, i have come to see a few holes in the stories being bandied online.
1. From what was said by the complainant, and, in the way i understand it, a 7 year old girl was raped in her house 7 years ago. She said she left the little girl with the accused for ‘only 3 minutes’, ONLY THREE MINUTES! The little girl was raped within that 3 minutes – that’s my number one observation
2. Assuming a 7 year old girl was raped by a 48 year old man, rape means forceful coitus, which means there was penetration. For a 7 year old, there will be blood. So if you are the mother of a girl that has just been raped, and she isn’t crying or walking with a stagger and there is no blood dripping from her, something is wrong. Apart from this, the act was performed inside your house, was there no drop of blood lying around, what about the girl’s pant or dress, no blood?. How could you not know? Who washed the girl’s panties or clothes, did nobody noticed any blood? The answer to this is that its either their was no rape or it was covered up.
3. The complainant said she asked the 7 year old girl if there is any problem at that time but the girl didn’t disclose that she was raped, but the complainant said she noticed that the little girl was failing at school, that was how she figured she had been raped. There is no proven correlation between grades in school and rape. Failing in the classroom is an index of the home environment and a measure of APTITUDE. The fact that the little girl could not TRUST you enough to tell you she had been raped, speak volumes of the bonding between you and the girl.
4. 7 years later, the girl now disclosed that she was raped. TO BE CONTD.”
East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.
His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness
Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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