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Analysis: In The Red Sea, The US Has No Good Options Against The Houthis

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This Nov. 12, 2018 photo shows The USS Carney in the Mediterranean Sea

This November 12, 2018 photo shows the USS Carney in the Mediterranean Sea

The US-led maritime force is a half measure that the Houthis will test. But it can’t do more without escalating tensions.

Operation Prosperity Guardian (OPG), the United States Navy-led coalition of the willing intended to allow international shipping to continue navigating safely through the Red Sea, is set to activate within days. Including allies from Europe and the Middle East, as well as Canada and Australia, the operation has been snubbed by three important NATO countries, France, Italy and Spain.

What is the exact task of OPG?

The official line, “to secure safe passage for the commercial ships”, is too vague for any naval flag officer to feel comfortable getting into. Admirals want politicians to give them precise tasks and clear mandates needed to achieve the desired results.

Defining the threat seems easy, for now: antiship missiles and drones of various types carrying explosive warheads have been targeting merchant ships on the way to and from the Suez Canal. All were fired from Yemen, by the Houthi group also known as Ansar Allah which now controls most of the country, including the longest section of its 450km-long Red Sea coast. All missiles were surface-launched, with warheads that can damage but hardly sink big cargo ships.

The Houthis at first announced that they would target Israeli-owned ships, then expanded that to include all those using Israeli ports, ultimately to those trading with Israel. After several attacks where the Israeli connection appeared very distant or vague, it is prudent to assume that any ship could be targeted.

All missiles neutralised by US and French warships so far were shot down by sophisticated shipborne surface-to-air missiles (SAM), proving that the modern vertical-launch systems guided by the latest generation phased array radars work as designed. Many nations earmarked to participate in OPG have ships with similar capabilities. Almost all also carry modern surface-to-surface missiles that can attack targets at sea or land.

If the task of OPG were to be defined narrowly, only to prevent hits on merchant ships, it could be performed using the centuries-old principle of sailing in convoys with the protection of warships.

In a convoy, slow, defenceless commercial cargos sail in several columns at precisely defined distances from each other — led, flanked and tailed by fast warships that can take on any threat. The system is effective, as the United Kingdom, Russia, Malta, and many other countries saved by convoys in World War II can attest.

But every strategy has its limitations. A convoy is big and cumbersome, extending for miles to give behemoth ships a safe distance from each other and to enable them to manoeuvre if needed. Whatever the protective measures taken, huge tankers and container carriers – longer than 300 metres (984 feet) – still present big targets. Captains of commercial ships are generally not trained in convoy operations, and most have no experience operating in large groups or under military command.

Their escorts, even if well-armed, carry a limited number of missiles and must plan their use carefully, allowing for further attacks down the shipping lane and ultimately leaving a war reserve for the defence of the ship itself. Once they expend some of the missiles, they need to replenish them – a task that is possible at sea but done much more quickly and safely in a friendly port out of reach of Houthi missiles.

To clear the critical 250 nautical miles (463km) along the Yemeni coast leading to or from the Bab al-Mandeb strait, advancing at assumed 15 knots (28kmph) — as convoys always sail at the speed of the slowest units — ships would be exposed to even the shortest-ranged Houthi missiles and drones for at least 16 hours.

And before even trying to make the dash, they would be particularly vulnerable in the staging areas in the Red Sea and the Gulf of Aden where ships would spend some time gathering, forming the convoy and setting under way.

The Houthi missile threat is now known to be high, and their arsenal is substantial. Naval planners must be worried by their ability to mount concentrated prolonged attacks simultaneously from several directions.

This was demonstrated in the very first attack, on October 19, when the Houthi launched four cruise missiles and 15 drones at USS Carney, a destroyer that is still operating in the Red Sea and will be part of OPG. The attack, probably planned to test the Houthis’ attack doctrine and enemy response, lasted nine hours, forcing the crew of the target ship to maintain full readiness and concentration for a prolonged period to intercept all incoming missiles.

Every admiral would tell his political superiors that military necessity would call for attacks on Houthi missile infrastructure on the ground in Yemen: fixed and mobile launch sites, production and storage facilities, command centres and whatever little radar infrastructure there exists. A proactive response to the missile threat, in other words, to destroy the Houthi ship-targeting capability, rather than the reactive one limited to shooting missiles down as they come in.

In theory, attacks against Houthi missile infrastructure could be based on satellite and unmanned aerial vehicles (UAV) reconnaissance and carried out by missiles launched from the Red Sea and the Indian Ocean and armed drones from distant land bases. But the only realistic chance at meaningful success would require the use of combat aircraft, bombers based on the two US Navy nuclear carriers in the region.

Attacks against targets in Yemen would have a clear military justification. But they would also carry a clear political risk: that of the West, particularly the US, being seen in the Arab and Islamic world as actually entering the Gaza war on the side of Israel. After all, the Houthis say their attacks on Red Sea ships are aimed at getting Israel to end the war.

Aware of the perils of such a development that could easily cause the conflict to spread, the US has tried to tread carefully, engaging with regional powers, and sending messages that it wants no escalation. It even openly demanded of its ally Israel that it limit civilian suffering and end the conflict as quickly as possible — to no avail.

The White House and the Pentagon are now walking on hot coals. If they do nothing, the Red Sea route will quickly close, causing US, European and Asian economies significant damage. If the half measures they currently propose, just escorting convoys without attacking missile sites on land, fail to secure safe passage, they will have lost face and failed in preventing an economic downturn. And if the US is eventually forced to attack, it will have directly contributed to a dangerous escalation that may be difficult to contain.

Mindful of all these dilemmas, France, Italy and Spain are playing it safe: they will “unilaterally” deploy their frigates to the Red Sea to “protect the ships of their respective nations”. Should the US Navy ultimately attack Yemen, the Europeans will be able to claim that they did not contribute to the intensification of the war, shoving all the responsibility to the US.

SOURCE: AL JAZEERA

Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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