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‘Accusing Israel of Apartheid is Not Anti-Semitic’: Holocaust Historian

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Palestinians walk in front of a section of the Israeli barrier in Aida refugee camp, in Bethlehem, in the Israeli-occupied West Bank, February 1, 2022 

A growing number of Jewish academics are using the term apartheid to describe Israel’s treatment of Palestinians.

Amos Goldberg, a leading professor of the Holocaust at Hebrew University in Jerusalem, has published a scathing retort saying that describing Israel’s treatment of Palestinians as “apartheid” is not anti-Semitic, in a guest post in the Frankfurter Allgemeine Zeitung (FAZ).

Felix Klein, Germany’s commissioner for Jewish Life and the Fight Against Anti-Semitism, said using “apartheid” in such scenarios is “an anti-Semitic narrative” in an interview with Die Welt, one of Germany’s most-read newspapers.

The Israeli government, Goldberg stated, fights against human rights, democracy and equality and propagates the opposite: “authoritarianism, discrimination, racism and apartheid”.

“Accusing Israel of apartheid is not anti-Semitic. It describes reality,” he said.

‘The elephant in the room’

Goldberg’s standpoint was not an outlier, he urged Klein to understand. Rather, it represented a growing chorus of voices, including leading Israeli academics propagating the term apartheid to describe the treatment of Palestinians by the current regime.

In fact, if Klein were right, Goldberg wrote, then some of the best-known Holocaust and anti-Semitism researchers from Israel, the United States, Europe and worldwide would be anti-Semites.

He referenced a petition co-initiated by Omer Bartov, the Israeli-born historian and professor of Holocaust and genocide studies at Brown University, titled The Elephant in the Room, which states: “There can be no democracy for Jews in Israel while Palestinians live under an apartheid regime”.

The petition has been signed by more than 2,000 academics, clergy, and other public figures at the time of writing and is emblazoned with an illustration that includes a large elephant with the words “Israeli occupation” alongside a speech bubble that reads “Let’s just ignore it”, and surrounded by dozens of people freely waving placards for various social justice movements.

“Palestinian people lack almost all basic rights, including the right to vote and protest,” the petition reads, “Settler vigilantes burn, loot, and kill with impunity.”

A rhetorical shift in Israeli academia

This represents a significant shift in rhetoric among many Jewish and non-Jewish academics, Goldberg wrote in FAZ.

The recent judicial changes proposal that Israeli Prime Minister Benjamin Netanyahu recently pushed through has forced many people to change their perception of the Israeli regime, including Zionists, he states.

Goldberg referenced Benjamin Pogrund, a South African-born Israeli author who was once quoted as saying anyone who labelled Israel an apartheid regime “is at best ignorant and naive and at worst cynical and manipulative”.

apartheid israel
Protesters hold a poster that reads ‘King of apartheid’ while protesting against Israeli Prime Minister Benjamin Netanyahu during his visit to Germany, Berlin, March 16, 2023 

Pogrund recently wrote an op-ed for the Israeli newspaper Haaretz in which he described his new position: “I have argued with all my might against the accusation that Israel is an apartheid state: in lectures, newspaper articles, on TV and in a book. However, the accusation is becoming fact.”

“We deny Palestinians any hope of freedom and normal lives. We believe our own propaganda that a few million people will meekly accept perpetual inferiority and oppression,” he wrote.

Goldberg also cited Barak Medina, a law professor at the Hebrew University of Jerusalem and a former Supreme Court nominee, who wrote that the untrue statements of Finance Minister and Second Minister of Security Bezalel Smotrich served to justify an apartheid regime in occupied East Jerusalem.

‘Accusing Israel of apartheid is not anti-Semitic’

Klein’s statement that accusing Israel of apartheid is anti-Semitic is not far removed from the position of the right-wing extremist politicians in the Israeli coalition government who demand that the Jewish character of the state take precedence over its democratic character, Goldberg argues.

It is a position shared by Bartov, who recently told the Washington Post: “You can call me a self-hating Jew, call me an antisemite … People use those terms to cover up the reality, either to deceive themselves or to deceive others. You have to look at what’s happening on the ground.”

Klein may not be “receptive to reality”, Goldberg concludes in his FAZ article, “but reality is stronger and more and more people around the world and in Israel are beginning to see it”.

SOURCE: AL JAZEERA


Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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