Entertainment Gists
US Jury Rules in Favour of Johnny Depp in Libel Lawsuit
Jury also awards $2m to Depp’s ex-wife Amber Heard, who said she was defamed by lawyer who called abuse claims a hoax.
A jury in the United States has awarded Johnny Depp more than $10m in his libel lawsuit against ex-wife Amber Heard.
The jury also found in favour of Heard, who said she was defamed by Depp’s lawyer when he called her abuse allegations a hoax. The jury awarded her $2m in damages.
The verdicts on Wednesday brought an end to a televised trial that Depp had hoped would help restore his reputation. Throughout the trial, fans — overwhelmingly on Depp’s side — lined up overnight for coveted courtroom seats. Spectators who could not get in gathered on the street to cheer Depp and jeer Heard whenever they appeared outside.
Heard said she was heartbroken by the verdict.
“I’m even more disappointed with what this verdict means for other women. It’s a setback. It sets back the clock to a time when a woman who spoke up and spoke out could be publicly humiliated. It sets back the idea that violence against women is to be taken seriously,’’ she said in a statement posted on her Twitter account.
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Depp sued Heard for libel in Fairfax County Circuit Court over a December 2018 op-ed she wrote in The Washington Post describing herself as “a public figure representing domestic abuse”. His lawyers said he was defamed by the article even though it never mentioned his name.
While the case was ostensibly about libel, most of the testimony focused on whether Heard had been physically and sexually abused, as she claimed.
Heard enumerated more than a dozen alleged assaults, including a fight in Australia — where Depp was shooting a Pirates of the Caribbean sequel — in which Depp lost the tip of his middle finger and Heard said she was sexually assaulted with a liquor bottle.
Depp said he never hit Heard and that she was the abuser, though Heard’s lawyers highlighted years-old text messages Depp sent apologising to Heard for his behaviour, as well as profane texts he sent to a friend in which Depp said he wanted to kill Heard and defile her dead body.
In some ways, the trial was a replay of a lawsuit Depp filed in the United Kingdom against a British tabloid after he was described as a “wife beater”. The judge in that case ruled in the newspaper’s favour after finding that Heard was telling the truth in her descriptions of abuse.
In the Virginia case, Depp had to prove not only that he never assaulted Heard, but that Heard’s article — which focused primarily on public policy related to domestic violence — defamed him.
He also had to prove that Heard wrote the article with actual malice. And to claim damages he had to prove that her article caused the damage to his reputation as opposed to any number of articles before and after Heard’s piece that detailed the allegations against him.
Depp, in his final testimony to the jury, said the trial gave him a chance to clear his name in a way that the UK trial never allowed.
“No matter what happens, I did get here and I did tell the truth and I have spoken up for what I’ve been carrying on my back, reluctantly, for six years,” Depp said.
Heard, on the other hand, said the trial has been an ordeal inflicted by an orchestrated smear campaign led by Depp.
“Johnny promised me — promised me — that he’d ruin my life, that he’d ruin my career. He’d take my life from me,” Heard said in her final testimony.
The case captivated millions through its gavel-to-gavel television coverage and impassioned followers on social media who dissected everything from the actors’ mannerisms to the possible symbolism of what they were wearing.
Despite testimony at the trial that he could be violent, abusive and out of control, Depp received a standing ovation Tuesday night in London after performing for about 40 minutes with Jeff Beck at the Royal Albert Hall. He has previously toured with Joe Perry and Alice Cooper as the group Hollywood Vampires.
Depp’s lawyers fought to keep the case in Virginia, in part because state law provided some legal advantages compared with California, where the two reside. A judge ruled that Virginia was an acceptable forum for the case because The Washington Post’s printing presses and online servers are in the county.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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