Human rights activist, Segun Awosanya a.k.a Segalink has reacted to report of the police denying claims of detaining Seyitan Babatayo after she accused D’banj of rape.
Segalink disclosed that the police simply acted as an arbiter and the documents generated in that regard with the consent of Seyitan’s lawyer and parent proves this. He went on to narrate some incidents that occurred before the alleged rape incident ignited a controversy on social media.
Read his tweets below;
I will speak to what actually transpired in this regard for the sake of the public in a few minutes. This is why we need to be circumspect and careful about what we believe online without checking the veracity.
Equity is equality. Our organization sees only humanity and cares less about treating anyone specially because of their status, gender, creed, clan, class or craze. This is our safe space policy which is no respecter of any agenda be it state (Public) or organization sponsored.
Our work speaks only to the truth materializing. When a police officer in the bid to apprehend an alleged thief use unnecessary aggression thereby violating such individual’s rights, he may los his/her authority & have to deal with the infringement. We all have rights.
For those expecting this to be a victimization thread, you can stop reading right here to avoid being grossly disappointed. I speak only to the gray areas and not judging any matter. I felt the need to do this because of the unconscionable actions of a few toxic elements.
I touched on this mildly when the coven of prejudiced primitives started their rumors but I believe the linguistic territory might have been an issue standing against the digestion of what was subtly said.
Seyitan came to us first when this broke out. Her first complaint was about the DPO of the Bar Beach Police station who she said treated her unfairly and she was comforted and asked by me to relax that her complaint will be taken up. I had my reasons.
I told her to go home with her friend that I was going to report the officer and also engage her with one of our Organization’s legal team lead. We had a conference call that evening & we took notes repeating the same advisory. Go home and relax.
The next call that came a day later was to notify me of the response of Dbanj’s team to her concerns online and also the criminal defamation letter, which I believe was unfair and responded publicly to. Still I asked that she takes her time and relax till she is able to document.
For those who don’t understand the rules of engagement, there is nothing actionable that you can obtain from someone whose emotional state is unstable. The stories will be shifty & inconsistent as the sequence of events will not make sense. Thus the need for her to be ready.
But beyond the preparation for cases based on an allegation that is still fuzzy, it was important to know what her prayers were. What gives her closure and what does she see as Justice. I felt if the findings about her connection with the team was anything to go by, they’ll call.
If you are a good scientist, you don’t go into an experiment with a desired outcome in mind. It will be prejudiced and you will learn nothing. So in every case I divorce my interest and focus more on Justice as defined by the vulnerable involved and this begins with the truth.
While we were navigating the action plan on this, I was informed by Seyitan that a friend of hers got her a Lawyer. As puzzled as I was, I said there is no problem if you are happy having another representation. They she added that they made her sign a retainer and I got pissed.
Having realized how disturbed you are emotionally, we never obligated you yet someone got to make you sign a binding document before representation? Anyways, I said let’s see the angle of the lawyer and let’s know how we can help. At this point a criminal defamation……letter has been published by Dbanj’s team and a response was necessary since they didn’t give her the courtesy of an audience given their acquaintance. I never knew the Lawyer also noticed her emotional state and knew she could change her mind thus the need to obligate her.
When she spoke about how the lawyer acted, which I knew was for her good later, I wasn’t pleased and I made her know that it wad unprofessional but this can be worked out still. She told me her lawyer wants her to settle and I got pissed again. Asking her for her own prayers.
We had a conference call with the lawyer and that call was the most annoying this year. So I told her to do as her lawyer says if this is what she wants and only call when she is in need of help. Promising her of my support regardless of what she decides to do. It’s her call.
The next thing I saw were calls and texts about her being arrested and detained. I was told she couldn’t call because her phone was taken from her. I asked the person to send me the location so I can call since it was Lagos and we finally got to know it was IRT.
I called the contacts there but they were out of station yet they got the people on duty to respond. They said they were acting on instruction to intervene on a matter and will revert. I still couldn’t reach Seyitan but kept trying & asking where the Lawyer was.
I even tweeted about the info on her alleged arrest and detention stating that the officers will be brought to book and that this will worsen the case…until I got to know what actually happened. The lawyer was carried along & there was even a resolution at that meeting.
My fears were confirmed and the inconsistencies prove that she is not under any condition to be stressed so when they called again, I only said, please rest and call me when you are fine. I never knew there was an amicable settlement with contribution by the mum who wants peace.
She later told me she was located by members of STER and that she will be staying with her for a bit after leaving the hotel they got her to rest in by Dbanj’s team as approved by her mum and lawyer. I recall stating that she was in good hands at STER and nothing else.
I have always recommended SARCs for anyone dealing with trauma relating to sexual assault whether imagined or real. Psychosocial support is essential to get the individual ready to walk through whatever she can remember objectively before any further advisory.
The receipts on the incident at IRT are also available from the invitation/arrest to resolution and agreement with the consent of the lawyer and parent. What was consistent as mentioned was the police telling her they will detain her. The sequence of this is however unverifiable.
I say this with all consideration and care. Even the few discussions I had with Seyitan based on her concerns were misinterpreted deliberately and weaponized as me preventing Seyitan from listening to the Feminist Coven’s instructions or advisory. The discussion wasn’t new……I was simply reaffirming what I told her when she first came. I simply asked what her prayers were. When the time is right you will hear from credible parties on our role how transparent it was even to the point of featuring her in a documentary but she wasn’t there yet.
When these people told me via different sources what they heard, as credited to me, claiming they were quoting Seyitan’s words, I was disappointed as this corroborated other patterns of inconsistencies. When I asked Seyitan she said it was all a misunderstanding.
I have no grouse with Seyitan and I will always support her regardless but I believe she is under undue influence on this matter with elements that wants to use her for their own agenda. There is no malice in making a case but this I maintain must be the will of the individual.
So pardon me if I don’t align with the forces beating the drums of war on this matter. There are complications that need to concern each and everyone with Seyitan’s interest at heart. Allow her to rest and see mountains as mountains and rivers as rivers. Stop the push & shove.
Allow those assisting her to do their best and let her be free to make her own decision. Go out there and let something happen to you too, then bring your personal case out here to wash publicly. This lady has been through a lot emotionally.
She is most likely afraid to admit many things to those who might have committed their efforts on this matter and desires certain outcomes, this her need to say things a certain way to avoid a backlash. I won’t begrudge her. Not in her condition. But please let her be.
My advice to the @iamdbanj’s team is simple. Stop reacting. Be humane and be matured. Whatever that is hidden will forever come to light. No one out here can judge any man or woman but let’s be fair and avoid undue harrassment and insensitive posts.
If you folks decide to go to court, we will all be praying for you and if you decide you resolve this within yourselves based on your acquaintance, we really don’t need to know. Right now I personally don’t know who the vulnerable is if not both of you!
The police maintained they simply acted as an arbiter and the documents generated in that regard with the consent of the lawyer and parent proves this. But I still can’t place the detention and the words spoken to her which I believe is unfortunate and unconscionable…if true.
There is a lot in discovery and there is so much unsaid. I will humbly advise the warring party to consider Seyitan’s interest more than the wishes of their Ego and agenda. Her interest is paramount in this and it is not your name being dragged in the mud.
Frank’s role is another thread entirely, which I will visit at a later time with full receipts. All we need to know is that this world is wicked and we are all vulnerable. End…. …for the now.
Entertainment Gists
PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste
From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.
The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.
Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.
Early Background and Creative Foundation
Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.
His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.
His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.
Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.
Musical Influences and Artistic Identity
Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.
He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.
These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.
The combination of these influences provides an interesting foundation for understanding his creative direction.
Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.
Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.
Discography and Recorded Musical Journey
PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.
One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.
The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.
He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.
Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.
These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.
Collaboration with Freezy West: The Story Behind “GenZ Luv”
An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.
The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.
The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.
Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.
The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.
Beyond Music: A Multifaceted Creative Personality
While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.
These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.
In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.
His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.
Career Development and the Road Ahead
The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.
For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.
His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.
His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.
As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.
For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.
Entertainment Gists
“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary
On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.
For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.
Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.
The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.
There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.
The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.
Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.
Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.
At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.
Watch IFEOLUWA on YouTube
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
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