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R. Kelly in court
The star’s trial, which is expected to last a month, has now entered its third week

R. Kelly’s sex trafficking trial entered its eighth day on Monday, with a male accuser testifying that the star promised him fame in exchange for sex.

The man, who testified under the pseudonym Louis, said he was a 17-year-old when Mr Kelly asked him what he “was willing to do for music”.

He then described how the singer crawled towards him and performed a sex act, even though “I wasn’t into it”.

Mr Kelly, 54, denies all the charges against him.

These include a single count of racketeering – which paints him as the kingpin of a criminal enterprise whose explicit purpose was “to prey upon young women and teenagers” for sexual purposes – and eight counts of violating an interstate anti-sex trafficking law known as the Mann Act.

The singer, whose full name is Robert Kelly, is not charged with rape or assault, but prosecutors are allowed to present evidence of any potential crimes related to the racketeering charge, regardless of when they occurred.

Male accuser’s testimony

On Monday, the jury heard from two accusers, both of whom said they were underage when they met Mr Kelly.

Louis said he first encountered Mr Kelly in 2006, when he was a 17-year-old working the night shift at a McDonald’s in Chicago.

He told the court that Mr Kelly slipped him his phone number, and invited him to his house, saying he could perform in his recording studio and receive some tips on the music business.

On one such occasion, the star asked Louis if he had ever “had any fantasies” involving men, then allegedly “crawled down on his knees and proceeded to give me oral sex”.

Afterwards, “he told me to keep between him and me”, adding, “we family now, we brothers”, Louis alleged.

He said Mr Kelly asked him to call him “daddy” – echoing the testimony of several female accusers – and would routinely film their sexual encounters.

He told the court he kept seeing Mr Kelly because he “really wanted to make it” in the music industry, and sometimes took friends to the singer’s parties.

One of them, a 16-year-old boy, also had sexual encounters with Mr Kelly, according to court documents. On one occasion, the singer directed the two to “touch each other” sexually, Louis testified, but they refused.

Louis, who is now 32, was testifying as part of a co-operation agreement he entered into in February 2021, under which he hopes to avoid jail time of up to 15 years.

He had previously pleaded guilty to offering money to a potential witness against Mr Kelly in an attempt to stop her co-operating with prosecutors.

Louis said he was worried the unnamed witness possessed sex tapes of him and Mr Kelly, but maintained the star had no knowledge of the bribery attempt.

Woman alleges backstage assault

The court also heard from a female accuser on Monday, who testified that Kelly sexually assaulted her at the age of 17, following a concert in Miami in 1994.

The woman, who testified under the name Addie, said she and her friend had been approached by two men “who looked like bouncers” and invited backstage after the show.

Once there, she alleged Mr Kelly cleared the room, grabbed her wrists, pulled down her shorts and raped her.

“At this point, I was in complete shock,” she told the court. “I just went blank.”

R Kelly
The R&B singer has consistently denied accusations against him

Afterwards, her friend wanted to contact the police but Addie feared she would be blacklisted by the entertainment industry if she came forward.

“I didn’t even know if they would believe me,” she said. “I didn’t want to be victim-shamed.”

On cross-examination, Mr Kelly’s lawyers asked why the woman, who is now 44, had waited more than two decades to contact law enforcement.

“Because I didn’t want to feel more shame and trauma,” she said, before adding that she no longer did.

“I’m an adult now,” she testified, holding back tears. “I’m no longer a little girl.”

Mr Kelly has pleaded not guilty and repeatedly denied accusations that he preyed on victims during a 30-year career. His lawyers have portrayed his accusers as groupies out for revenge after their relationships with the R&B singer faded.

If convicted, the star – whose hits include I Believe I Can Fly and Ignition (Remix) – faces between 10 years and life in prison.

Entertainment Gists

RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

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RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.

Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.

Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.

For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.

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Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype

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If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.

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Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R

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MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.

CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.

In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.

PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.

Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.

INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others

LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.

CONTACT & SOCIALS

Instagram & X: @Johnwisdm @phlox_mgmt

TikTok: @unclewisdom7

Email: phloxentertainment@gmail.com

Phone: 08038448478 | 09015668027

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