Photographs from Princess Beatrice’s wedding to property tycoon Edoardo Mapelli Mozzi have been released by Buckingham Palace.
Two official pictures were sent out the day after their small ceremony at The Royal Chapel of All Saints in Windsor.
One shows the beaming couple leaving the chapel through its flower-covered archway.
In the other they are outside the entrance with Beatrice’s grandparents, the Queen and the Duke of Edinburgh.
Beatrice’s parents, the Duke and Duchess of York, did not appear in either of the released photos, though the palace confirmed her father walked her down the aisle. It comes as Prince Andrew continues to keep a low profile following the arrest of his former friend Ghislaine Maxwell for sex trafficking offences, which she denies.
The Queen loaned Beatrice a vintage dress for the occasion, as well as a diamond fringe tiara which the monarch wore on her own wedding day in 1947.
The newlyweds decided to hold a private ceremony with their parents and siblings after they postponed their wedding in May due to the coronavirus pandemic.


When the national lockdown began on 23 March, weddings in England were banned under almost all circumstances. However, since 4 July, ceremonies of up to 30 people have been allowed to take place.
In a statement, the palace said the wedding was held within government guidelines.
It is believed to be the first time the Queen, 94, and Prince Philip, 99, have attended a family gathering since lockdown began.
For the ceremony, Beatrice wore a vintage Peau De Soie taffeta dress, in shades of ivory by Norman Hartnell, on loan from the Queen, and trimmed with duchess satin and encrusted with diamante.
The dress appears to be a modified version of the one the Queen wore to the world premiere of Lawrence Of Arabia at the Odeon cinema Leicester Square in December 1962
The dress was remodelled and fitted by the Queen’s senior dresser Angela Kelly and designer Stewart Parvin, according to Buckingham Palace.
Beatrice, who is ninth in line to the throne, also wore the Queen Mary diamond fringe tiara loaned to her by her grandmother.
The Queen wore the same tiara when she married Prince Philip in November 1947
Beatrice, 31, and Mr Mapelli Mozzi, 35, had originally planned to marry on 29 May this year at the Chapel Royal, St James Palace, in London.
The new venue of Royal Lodge in Windsor Great Park – a short drive from Windsor Castle – is Beatrice’s childhood home. Her parents still live at the property.
Mr Mapelli Mozzi’s son Wolfie was best man and pageboy.
Beatrice and her husband began dating in autumn 2018 and got engaged last September.
The couple are said to have started a relationship after meeting again at Beatrice’s sister Princess Eugenie’s wedding to Jack Brooksbank.
After Friday’s ceremony, Beatrice’s wedding bouquet was placed on the tomb of the unknown warrior in Westminster Abbey, as is tradition for royal brides.

The bouquet was fashioned out of trailing jasmine, pale pink and cream sweet peas, royal porcelain ivory spray roses, pink O’Hara garden roses, pink wax flower, baby pink astilbe and, in keeping with royal tradition, sprigs of myrtle.
The Reverend Canon Anthony Ball laid the bouquet with Toby Wright, the son of the sub-dean of the Chapel Royal, Reverend Paul Wright.
All photos subject to copyright.
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Entertainment Gists
Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Entertainment Gists
N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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