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Nicki Minaj Defends Jesy Nelson in ‘Blackfishing’ Row

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Little Mix on stage with Nicki Minaj

Nicki Minaj has defended Jesy Nelson against claims of “blackfishing” in her latest music video, Boyz.

Blackfishing is a word used to accuse someone of pretending to be black or mixed-race.

Nicki, who features on the song, said on Instagram: “Y’all gotta stop.”

She added on Twitter: “If you know someone has been suicidal from bullying in the past, why try to get a bunch of people to bully them again about something else?”

The pair went on Instagram live to promote the single.

Jesy said she was “in a group with two women of colour for nine years” and the subject was never brought up until they recorded her last video with the group, Sweet Melody.

As Jesy began to explain about being messaged by one of her ex-bandmates, Nicki interjected saying people should “focus on your own energy.”

Boyz, which samples Diddy’s song Bad Boy for Life, is Jesy Nelson’s first solo release since leaving Little Mix last year.

In the video, Jesy is heavily tanned and her hair is styled with wigs and braids. She wears basketball shorts and gold teeth, and sings about wanting a boy who’s “so hood, so good, so damn taboo”.

Some people say it is wrong for white people to profit from imitating stereotypically black characteristics – when black people themselves have been held back for having the very same characteristics.

But Nicki Minaj said: “There’s a lot of women out here in the United States that tan, get bigger lips.

“I wear straight blonde hair when I want to.”

Nicki went on to say Jesy’s bandmates were only “calling [her] out” to help their “personal vendetta” against her.

She said: “Don’t wait a decade after you’ve made millions with the person.”

Jesy laughed as Nicki Minaj referred to her ex-bandmates as “clowns”. So far, there’s been no response from Leigh-Anne or the rest of the band.

Jesy later said: “My intention is never to offend people of colour with this video and my song.

“When I was in the video with [Nicki], I didn’t even have any fake tan on. I’d been in Antigua prior to that for three weeks.

“I’m just really lucky that as a white girl, when I’m in the sun I tan so dark.

“My hair’s naturally curly, I’ve always had curly hair. I wanted to get a wig that emulated the same texture as my hair, I genuinely didn’t think I was doing anything wrong.”

In a recent interview with Vulture, Jesy said: “I’m very aware that I’m a white British woman; I’ve never said that I wasn’t.”

Newsbeat has asked Jesy Nelson’s label Polydor to comment about the video but so far, there’s been no response.

Some fans have been asking how this video was approved, and why the artists decided to discuss it on Instagram live.

George Griffiths is a freelance pop music critic, and he was tuned in last night. He told Newsbeat he found it “really chaotic”.

“I know everything is managed by PR and management to a certain degree but that did not look managed at all.

“This was to celebrate her debut single with Nicki Minaj, Boyz, and there wasn’t a lot of celebration involved.

“It took a turn for the worst and didn’t really recover. It was awkward to watch it I can’t imagine how awkward it would have been to participate in it.”

But George says that it doesn’t need to taint the past success of Little Mix.

“When you see members of a pop group argue, fans kind of rewrite history. But all those great moments happened and just because this has happened now it doesn’t invalidate all the strength and the happiness The Little Mix put forward before the split.”

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Entertainment Gists

RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

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RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.

Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.

Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.

For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.

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Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype

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If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.

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Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R

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MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.

CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.

In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.

PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.

Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.

INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others

LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.

CONTACT & SOCIALS

Instagram & X: @Johnwisdm @phlox_mgmt

TikTok: @unclewisdom7

Email: phloxentertainment@gmail.com

Phone: 08038448478 | 09015668027

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