In the show, titled Panic On The Streets of Springfield, Lisa Simpson becomes obsessed with the militantly vegan singer of a 1980s indie band.
But her dreams are shattered when it transpires her idol, voiced by Benedict Cumberbatch, had become a bitter, overweight, anti-immigrant meat-eater.
A statement on Morrissey’s Facebook called the show “hurtful and racist”.
“Surprising what a ‘turn for the worst’ the writing for The Simpson’s TV show has taken in recent years,” said the statement, which was posted by the star’s manager, Peter Katsis.
“Poking fun at subjects is one thing,” it continued, “but when a show stoops so low to use harshly hateful tactics like showing the Morrissey character with his belly hanging out of his shirt (when he has never looked like that at any point in his career) makes you wonder who the real hurtful, racist group is here.
The statement went on to accuse The Simpsons of hypocrisy, noting that white actor Hank Azaria had recently bowed to criticism and agreed to stop voicing the Indian character Apu Nahasapeemapetilon.
“Hank Azaria’s recent apology to the whole country of India for his role in upholding ‘structural racism’ says it all,” the message said.
Prior to the episode airing, Morrisey’s official Facebook page had promoted the show by posting a still image from the animation.
The show said it would not be commenting on the star’s latest statement.
‘Hamburger Is Homicide’
However, the episode’s writer previously insisted that the character was not solely based on Morrissey.
“I’m sticking by that,” Tim Long told Variety magazine, adding: “The character is definitely Morrissey-esque, with maybe a small dash of Robert Smith from the Cure, Ian Curtis from Joy Division, and a bunch of other people”.
Called Quilloughby, the character was said to be the lead singer of a band called The Snuffs – a stand-in for The Smiths.
The episode also featured music by Flight Of The Conchords and The Muppets’ songwriter, Bret McKenzie; and included parodies of The Smiths song titles, such as How Late Is Then, Hamburger Is Homicide, and Everyone Is Horrid Except Me (And Possibly You).
Long said the episode had been inspired by his love of British indie bands during the 1980s, recalling how seeing The Smiths on their The Queen Is Dead tour had “changed my life”.
“I’ve seen Moz [Morrissey] many times since then, most recently at the Hollywood Bowl in 2018,” he explained to Variety.
“Executive producer Matt Selman was also at that show, and we got to talking about how much music meant to us as weird, alienated teenagers – and also how being a big fan of someone is like having a lifelong relationship with them, with all the ups and down that implies. This show grew out of that discussion.”
In recent years, Morrissey has been criticised for his outspoken and controversial views.
He has called halal meat “evil”, accused London Mayor Sadiq Khan of being unable to “talk properly” and appeared to defend actor Kevin Spacey over allegations of sexual abuse.
The singer has also expressed support for the far-right For Britain party, wearing a badge with its logo on during a US TV performance.
He has consistently denied being a racist.
Panic On The Streets Of Springfield has yet to be broadcast in the UK, but is expected to premiere on Sky One next month.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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