Beyoncé has set a new record at the Grammy Awards with her 28th win.
The star is now the most-awarded woman in Grammys history, overtaking bluegrass singer Alison Krauss.
“I am so honoured, I’m so excited,” she said while accepting her record-breaking trophy, for best R&B performance.
Taylor Swift also made history at Sunday’s ceremony, by becoming the first female artist ever to win album of the year three times.
The star was rewarded for her lockdown album Folklore – after previously winning with Fearless in 2010 and the pop opus 1989 in 2016.
Only three other artists have ever won the album of the year prize three times: Frank Sinatra, Paul Simon and Stevie Wonder.
Grammy Awards – Main winners
- Album of the year: Taylor Swift – Folklore
- Record of the year: Billie Eilish – Everything I Wanted
- Song of the year: H.E.R. – I Can’t Breathe
- Best new artist: Megan Thee Stallion
Beyoncé’s 28th Grammy was presented in honour of Black Parade, a celebration of black power and resilience, which she released on Juneteenth last year.
“As an artist, I believe it’s my job to reflect the times, and it’s been such a difficult time,” she said as she collected the award.
“So I wanted to uplift, encourage, celebrate all of the beautiful black queens and kings that continue to inspire me and inspire the world”.
The star has now equalled super-producer Qunicy Jones’ total of 28 Grammys. Only classical conductor Sir Georg Solti has more, with 31.
Beyoncé was also part of another historic moment – when Megan Thee Stallion became the first female artist to win the best rap song award.
The Houston musician picked up the prize for her breakout hit Savage (Remix), on which Beyoncé delivers a guest verse.
Black Parade was not the only award-winner song to reflect the Black Lives Matter movement: R&B singer H.E.R. won song of the year for I Can’t Breathe, which quotes the last words of George Floyd.
The 46-year-old died while being arrested by police in Minneapolis last year. His death, along with that of Breonna Taylor, sparked a global wave of protests.
Accepting the prize, H.E.R. said she never imagined “that my fear and my pain would turn into impact”.
“That’s why I write music,” she added, “and I’m so, so grateful”.
The singer, whose real name is Gabriella Wilson, was accompanied by her co-writer Tiara Thomas, and she recalled how they’d written I Can’t Breathe “over FaceTime” last summer.
“I recorded this song by myself in my bedroom at my mom’s house,” she said. “And I want to thank my dad – he cried, he was in tears when I wrote the song and I played it for him. He was the first person I played it for.”
“But remember,” she concluded. “We are the change that we wish to see and you know that fight that we had in us the summer of 2020, keep that same energy. Thank you.”
‘Bringing the concert to you’
Aside from the awards, the four-hour ceremony deliberately put the focus on live music.
“I know that you haven’t been able to go to a concert in a long time,” said host Trevor Noah. “So tonight we’re bringing the concert to you.”
The show kicked off with three back-to-back performances from Harry Styles, Billie Eilish and Haim, who performed from a circle of stages that recalled the set-up of Jools Holland’s BBC TV show.
Styles raised the curtain with his hit single Watermelon Sugar, sporting a lime green feather boa and an open-chested leather jacket.
The song went on to win best pop solo performance later in the ceremony, making him the first member of One Direction to win a Grammy – either as a solo artist or as part of the group.
“It’s crazy to think someone that talented and handsome is from the same place as Boris Johnson,” joked Noah as Styles’ performance ended.
Billie Eilish, who dominated last year’s ceremony, followed with her ballad Everything I Wanted; while Haim played The Steps from their album-of-the-year nominated Women In Music Pt III.
Eilish’s song later won record of the year – her second consecutive win in that category. Her Bond theme, No Time To Die, was also awarded best song written for visual media.
“It was a dream to make the song,” said the 19-year-old. “I have no words. I can’t believe this is real. I couldn’t believe it was real then…”
The majority of the ceremony was held in a marquee outside the LA Convention Center, with nominees sitting at socially-distanced tables.
“So there’s more tension in that tent than at a family reunion at Buckingham Palace,” joked Noah, who added: “Tonight is going to be the biggest outdoor event this year, besides the storming of the Capitol.”
Other prize-winners included Dua Lipa, who picked up best pop vocal album; and Lady Gaga and Ariana Grande, who became the first female duo to win best pop collaboration for Rain On Me.
One of the most emotional speeches came from Megan Thee Stallion, who dedicated her best new artist prize to her mother, who died of a brain tumour in 2019.
“She couldn’t be here with me tonight,” she had said on the red carpet earlier in the night. “But she always knew that I would be at the Grammys, and I would be like, ‘Oh mom, that’s so far away’ but it came so quick.
“And I’m just so appreciative that I’m here.”
Performance highlights included Taylor Swift, who sang a medley of songs from her lockdown albums Folklore and Evermore, from an enchanted forest set.
Cardi B and Megan Thee Stallion got together for the first ever TV performance of their X-rated single WAP, while Bruno Mars and Anderson .Paak unveiled their new “supergroup” Silk Sonic, channelling the 70s soul sounds of Earth, Wind And Fire.
The show also highlighted the plight of music venues by having staff from venues, including New York’s Apollo Theater and LA’s Troubador, present some of the awards.
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Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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