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GRAMMY AWARDS 2016: THE FULL LIST OF WINNERS

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American rapper Kendrick Lamar dominated the 58th Grammy Awards with five notable wins during the highly anticipated ceremony held on Monday night.  Icons of the music industry gathered at the Staples Center in Los Angeles, California for the awards night, which was hosted by two-time Grammy winner LL Cool J.

The 28-year old artist from Compton, California, took home the coveted gramophones after bagging Best Rap Album for “To Pimp a Butterfly,” Best Rap Performance and Best Rap Song for “Alright” and Best Rap/Sung Collaboration for “These Walls.” Lamar also got credit for Taylor Swift’s “Bad Blood,” which won in the Best Music Video category.

Lamar, who got 11 nominations for this year’s awards, also treated the live crowd and home viewers with a performance of “The Blacker the Berry.” The socially relevant number showed Lamar and several back-up dancers clasped in chains with the backdrop of a prison. As the song went on, they released their chains and danced, dressed in glow-in-the-dark outfits. He also gave a live rendition of the award-winning “Alright,” while African dancers danced around him. His performance garnered a standing ovation from the audience.

Mark Ronson and Bruno Mars took home the Record of the Year Award for “Uptown Funk.” Mars, who earlier performed the song on stage, dedicated their victory to the fans “who danced on this song.” The track also won in the Best Pop Duo/Group Performance category.

Bagging the Album of the Year is Taylor Swift for her highly successful “1989.” Swift, in her speech, noted that she is the first female ever to win the category twice. As mentioned, Swift also won Music Video of the Year for “Bad Blood.”

Ed Sheeran took home the gramophone for Song of the Year for “Thinking Out Loud” from his album “X.” The 24-year old artist, who co-wrote the track with Amy Wedge, also won the Best Pop Solo Performance for the same song.

Meanwhile, Meghan Trainor got one of the awards biggest honours when she bagged the Best New Artist Award. The artist behind the songs “Dear Future Husband,” “All About the Bass” and “Like I’m Gonna Lose You” tearfully accepted the award. She bested four of today’s biggest newcomers: Courtney Barnett, James Bay, Sam Hunt and Tori Kelly.

The Weeknd, a Canadian singer, songwriter and record producer also collected two Grammy awards: Best Urban Contemporary Album for “Beauty Behind the Madness” and Best R&B Performance for “Earned It” from the movie “Fifty Shades of Grey.” Alabama Shakes, an American rock band formed in Athens, Alabama in 2009, won their first Grammy awards. They brought home three wins: Best Rock Song and Best Rock Performance for “Don’t Wanna Fight” and Best Alternative Music Album for “Sound and Color.”

Here is the complete list of Grammy Awards 2016 winners:

Record of the Year: “Uptown Funk,” Mark Ronson feat. Bruno Mars

Album of the Year: “1989,” Taylor Swift

Song of the Year: “Thinking Out Loud,” Ed Sheeran & Amy Wadge, songwriters (Ed Sheeran)

Best Country Album: “Traveller,” Chris Stapleton

Best R&B Performance: “Earned It (Fifty Shades of Grey,” The Weeknd

Best Rock Album: “Drones,” Muse

Best Pop Vocal Album: “1989,” Taylor Swift

Best Pop Solo Performance: “Thinking Out Loud,” Ed Sheeran

Best New Artist: Meghan Trainor

Producer of the Year, Non-Classical: Jeff Bhasker for “Ain’t Gonna Drown,” “Burning Doves,” “Burning House,” “Grand Romantic,” “Last Damn Night,” “Never Let You Down,” “Runaway Train” and “Uptown Special”

Best Folk Album: “Béla Fleck And Abigail Washburn,” Béla Fleck and Abigail Washburn

Best Americana Album: “Something More Than Free,” Jason Isbell

Best American Roots Song: “Frames,” Jason Isbell, songwriter (Jason Isbell)

Best American Roots Performance: “See That My Grave Is Kept Clean,” Mavis Staples

Best Regional Roots Performance: “Go Go Juice,” Jon Cleary

Best R&B Album: “Black Messiah” D’Angelo And The Vanguard

Best Urban Contemporary Album: “Beauty Behind the Madness,” The Weeknd

Best R&B Song: “Really Love,” D’Angelo & Kendra Foster, songwriters (D’Angelo And The Vanguard)

Best Traditional R&B Performance: “Little Ghetto Boy,” Lalah Hathaway

Best Rap Album: To Pimp a Butterfly, Kendrick Lamar

Best Rap Song: “Alright,” Kendrick Duckworth, Kawan Prather, Mark Anthony Spears & Pharrell Williams, songwriters (Kendrick Lamar)

Best Rap/Sung Collaboration: “These Walls,” Kendrick Lamar Featuring Bilal, Anna Wise & Thundercat

Best Rap Performance: “Alright,” Kendrick Lamar

Best Comedy Album: “Live At Madison Square Garden,” Louis C.K.

Best Musical Theatre Album: “Hamilton,” Daveed Diggs, Renée Elise Goldsberry, Jonathan Groff, Christopher Jackson, Jasmine Cephas Jones, Lin-Manuel Miranda, Leslie Odom, Jr., Okieriete Onaodowan, Anthony Ramos & Phillipa Soo, principal soloists; Alex Lacamoire, Lin-Manuel Miranda, Bill Sherman, Ahmir Thompson & Tarik Trotter, producers; Lin-Manuel Miranda, composer & lyricist (Original Broadway Cast)

Best Spoken Word Album: “A Full Life: Reflections at Ninety,” Jimmy Carter

Best Blues Album: “Born To Play Guitar,” Buddy Guy

Best Alternative Music Album: “Sound and Color,” Alabama Shakes

Best Rock Song: “Don’t Wanna Fight,” Alabama Shakes

Best Metal Performance: “Ghost,” Cirice

Best Rock Performance: “Don’t Wanna Fight,” Alabama Shakes

Best Contemporary Instrumental Album: “Sylva,” Snarky Puppy & Metropole Orkest

Best Traditional Pop Vocal Album: “The Silver Lining: The Songs of Jerome Kern,” Tony Bennett and Bill Charlap

Best Pop Duo/Group Performance: “Uptown Funk,” Mark Ronson feat. Bruno Mars

Best Bluegrass Album: “The Muscle Shoals Recordings,” The Steeldrivers

Best Country Song: “Girl Crush,” Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Little Big Town)

Best Country Duo/Group Performance: “Girl Crush,” Little Big Town

Best Country Solo Performance: “Traveller,” Chris Stapleton

Best Music Film: “Amy (Amy Winehouse),” Asif Kapadia, video director; James Gaey-Rees, video producer

Best Music video: “Bad Blood,” Taylor Swift Featuring Kendrick Lamar

Best Song Written for Visual Media: “Glory,” Lonnie Lynn, Che Smith & John Stephens, songwriters (Common & John Legend)

Best Score Soundtrack for Visual Media: “Birdman,” Antonio Sanchez, composer

Best compilation Soundtrack for Visual Media: “Glen Campbell: I’ll Be Me,” (Various Artists)
Julian Raymond, compilation producer

Best Latin Jazz Album: “Made in Brazil,” Eliane Elias

Best Large Jazz Ensemble Album: “The Thompson Fields,” Maria Schneider Orchestra

Best Jazz Instrumental: “Past Present,” John Scofield

Best Jazz Vocal Album: “For One to Love,” Cécile McLorin Salvant

Best Improvised Jazz Solo: “Cherokee,” Christian McBride, soloist

Best Dance/Electronic Album: “Skrillex And Diplo Present Jack Ü,” Skrillex And Diplo

Best Dance Recording: “Where Are U Know,” Skrillex And Diplo With Justin Bieber

Best Tropical Latin Album: “Son De Panamá,” Rubén Blades With Roberto Delgado & Orchestra

Best Regional Mexican Music Album: “Realidades – Deluxe Edition,” Los Tigres Del Norte

Best Latin Rock, Urban or Alternative: “Hasta La Raiz,” Natalia Lafourcade

Best Latin Pop Album: “A Quien Quiera Escuchar (Deluxe Edition),” Ricky Martin

Best Roots Gospel Album: “Still Rockin’ My Soul,” The Fairfield Four

Best Contemporary Christian Music Album: “This is Not a Test,” Tobymac

Best Gospel Album: “Covered: Alive in Asia,” Israel & NewBreed

Best Contemporary Christian Music Performance/Song: “Holy Spirit,” Francesca Battistelli

Best Gospel Performance/Song: “Wanna Be Happy?” Kirk Franklin; Kirk Franklin, songwriter

Best Contemporary Classical Composition: “Paulus: Prayers & Remembrances,”
Stephen Paulus, composer (Eric Holtan, True Concord Voices & Orchestra)

Best Classical Compendium: “Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto,” Giancarlo Guerrero, conductor; Tim Handley, producer

Best Classical Solo Vocal Album: “Joyce & Tony – Live From Wigmore Hall,” Joyce DiDonato; Antonio Pappano, accompanist

Best Classical Instrumental Solo: “Dutilleux: Violin Concerto, L’Arbre Des Songes,”
Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony)

Best Engineered Album, Classical: “Ask Your Mama,” Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum & Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan & San Francisco Ballet Orchestra)

Best Chamber Music/Small Ensemble Performance: “Filament,” Eighth Blackbird

Best Choral Performance: “Rachmaninoff: All-Night Vigil,” Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale)

Best Opera Recording: “Ravel: L’Enfant Et Les Sortilèges; Shéhérazade,” Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus & SKF Matsumoto Children’s Chorus)

Best Orchestral Performance: “Shostakovich: Under Stalin’s Shadow – Symphony No. 10,”
Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Surround Sound Album: “Amused To Death,” James Guthrie, surround mix engineer; James Guthrie & Joel Plante, surround mastering engineers; James Guthrie, surround producer (Roger Waters)

Best Remixed Recording Non-Classical: “Uptown Funk (Dave Audé Remix),” Dave Audé, remixer (Mark Ronson Featuring Bruno Mars)

Best Engineered Album Non-Classical: “Sound & Color,” Shawn Everett, engineer; Bob Ludwig, mastering engineer (Alabama Shakes)

Best Historical Album: “The Basement Tapes Complete: The Bootleg Series Vol. 11,”
Steve Berkowitz, Jan Haust & Jeff Rosen, compilation producers; Peter J. Moore & Mark Wilder, mastering engineers (Bob Dylan And The Band)

Best Album Notes: “Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced,”
Joni Mitchell, album notes writer (Joni Mitchell)

Best Boxed or Special Limited Edition Package: “The Rise & Fall Of Paramount Records, Volume Two (1928-32),” Susan Archie, Dean Blackwood & Jack White, art directors (Various Artists)

Best Recording Package: “Still The King: Celebrating The Music Of Bob Wills And His Texas Playboys,” Sarah Dodds, Shauna Dodds & D!ck Reeves, art directors (Asleep At The Wheel)

Best Arrangement, Instruments and Vocals: “Sue (Or In A Season Of Crime),” Maria Schneider, arranger (David Bowie)

Best Arrangement, Instrumental or a Capella: “Dance Of The Sugar Plum Fairy,” Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstin Maldonado & Kevin Olusola, arrangers (Pentatonix)

Best Instrumental Composition: “The Afro Latin Jazz Suite,” Arturo O’Farrill, composer (Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring Rudresh Mahanthappa)

Best Children’s Album: “Home,” Tim Kubart

Best World Music Album: “Sings,” Angelique Kidjo

Best Reggae Album: “Strictly Roots,” Morgan Heritage

Best New Age Album: “Grace,” Paul Avgerinos

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Entertainment Gists

Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

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Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.

For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”

Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.

Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.

Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.

Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.

“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”

Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.

Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”

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N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

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Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.

Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.

More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.

With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.

‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.

As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.

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