Entertainment Gists
Bianca Ojukwu Defeats In-laws in Legal Battle Over Her Late Husband Odumegwu Ojukwu’s Estate
A Lagos High Court sitting in Ikeja has delivered judgment in the decades long litigation over the management and control of some of the assets of Ojukwu Transport Ltd, OTL, in favour of Ambassador Bianca Ojukwu, widow of the late Igbo leader, Dim Chukwuemeka Odumegwu Ojukwu, and her two children.
The late Ojukwu was a director of OTL, a family company, before he died in 2011.
The suit, LD/1539/2012, filed by Bianca on behalf of the claimants, her two sons, Afamefuna and Nwachukwu, who were infants at the time of his death, against OTL and seven others (brothers of the late Dim Ojukwu, their sons and property agent) before the court, was over alleged move by the defendants to take possession of claimants residence at No. 29 Oyinkan Abayomi Drive, Ikoyi, Lagos, as well as some of the company’s property in Lagos, which were under the management and control of their late Biafran warlord.
The defendants in the suit filed in 2012 are OTL, Prof Joseph Ojukwu, Engr. Emmanuel Ojukwu, Lotanna Putalora Ojukwu, Dr. Patrick Ike Ojukwu, Arch. Edward Ojukwu, Lota Akajiora Ojukwu and Messrs. Massey Udegbe (doing business under Massey Udegbe & Company).
The claimants stated in the lawsuits that at about August 4, 2011, while their father was sick and hospitalized in London, the 4th-7th defendants attempted to forcibly take possession of their home at No. 29 Oyinkan Abayomi Drive (formerly Oueens Drive), Ikoyi, Lagos, claiming that after the death of their father and soon after his burial, the 2nd-7th defendants went on to appoint a property agent, the 8th defendant, to take over, not only their father’s residence at Oyinkan Abayomi Drive but also other property under the possession, management and control of their father, namely No. 13 Hawksworth Rd (now known as 13 Ojora Rd) Ikoyi; No. 32A Commercial Ave, Yaba, Lagos; No. 30 Gerard Rd, Ikoyi, Lagos and No.4 Macpherson Avenue, Ikoyi, Lagos.
The court presided over by Justice A. M. Lawal, delivered it’s judgement on June 24 this year after considering all the evidence adduced by the parties in the course of the proceedings.
The court ruled that the claimants being biological children of the late Dim Chukwuemeka Odumegwu Ojukwu by that virtue are entitled to the estate of their father, as well as his entitlements as a deceased director and shareholder of the Ist defendant.
Justice Lawal stated that “equity is fairness and fairness is equity,” adding that as a court of equity, the court would not allow the dispossession of the claimants who are children of a foundation director of the company while other directors are in hold and control of other property of the Ist defendant and deriving benefits from the same.
“Therefore, the claimants are entitled to possess and control what their late father possessed and controlled in the company, OTL, when he was alive,” he ruled.
The judge stated that the fact that the 1st defendant allowed the family of the company to live on, and derive income from the assets of the company all these years was a decision of the company by conduct.
He noted that the 2nd defendant who had refused to surrender the property under his control for joint management cannot now lead the battle of having the deceased director’s children hounded out of possession of the property that was managed by their late father.
The counterclaim instituted by the defendants was struck out for lack of competence as the court declared “That the claimants are entitled to the possession and occupation of the property known as No. 29 Oyinkan Abayomi Drive (formerly Oueens Drive), Ikoyi, Lagos, until the harmonization of the management of the assets of the Ist defendant;
“That the threat of forceful ejection of the claimants from No.29 Oyinkan Abayomi Drive, Ikoyi, Lagos, by the defendants is illegal;
“That the claimants are also entitled to the possession of the properties known as No 13 Hawkesworth Rd, Ikoyi (now known as No 13 Ojora Rd, Ikoyi); No. 32A Commercial Avenue, Yaba, Lagos; No. 30 Gerard Rd, Ikoyi, Lagos and No. 4 Macpherson Ave, Ikoyi, Lagos, which were some of the properties that were under the possession of the late father of the claimants from the time the properties were released from government acquisition.
“That the 2nd-8th defendants are restrained either by themselves or through their agent or privies from interfering with the claimants’ possession and control of the 5 listed properties, being the subject matter of the suit.”
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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