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2021 MTV Video Music Awards: Full list of winners

The MTV Video Music Awards took place at Barclays Center, Brooklyn, on Sunday night, September 12, with Doja Cat hosting the ceremony.

The night’s big winner was Lil Nas X, who took home multiple awards, including the coveted Video of the Year trophy as well as honors for Best Direction and Best Visual Effects, all for his single “Montero (Call Me by Your Name).”

 

The artist dedicated his Video of the Year statute to “the gay agenda”.

 

Other winners included Olivia Rodrigo, who won Best New Artist and Song of the Year (for “Drivers License”); Justin Bieber, who won both Artist of the Year and Best Pop, for his song “Peaches,” featuring Daniel Caesar and Giveon; Billie Eilish, who won Video for Good for her ballad “Your Power”; BTS, who won Group of the Year; and Travis Scott, who won Best Hip-Hop for “Franchise” (featuring Young Thug & M.I.A.).

 

Below is the full list of nominees and winners.

 

GROUP OF THE YEAR

  • WINNER: BTS
  • Blackpink
  • CNCO
  • Foo Fighters
  • Jonas Brothers
  • Maroon 5
  • Silk Sonic
  • Twenty One Pilots

 

GLOBAL ICON AWARD

  • HONOREE: Foo Fighters

 

VIDEO OF THE YEAR

  • Cardi B ft. Megan Thee Stallion: “WAP” – Atlantic Records
  • DJ Khaled ft. Drake: “Popstar” (Starring Justin Bieber) – OVO /We The Best/Epic Records
  • Doja Cat ft. SZA: “Kiss Me More” – Kemosabe Records/RCA Records
  • Ed Sheeran: “Bad Habits” – Atlantic Records
  • WINNER: Lil Nas X: “Montero (Call Me by Your Name)” – Columbia Records
  • The Weeknd: “Save Your Tears” – XO / Republic Records

 

ARTIST OF THE YEAR

  • Ariana Grande – Republic Records
  • Doja Cat – Kemosabe Records/RCA Records
  • WINNER: Justin Bieber – Def Jam
  • Megan Thee Stallion – 300 Entertainment
  • Olivia Rodrigo – Geffen Records
  • Taylor Swift – Republic Records

 

SONG OF THE YEAR

  • 24kGoldn ft. Iann Dior: “Mood” – Records LLC/Columbia Records
  • Doja Cat: “Say So” – Kemosabe/RCA Records
  • Bruno Mars, Anderson .Paak, Silk Sonic: “Leave the Door Open” – Aftermath Entertainment/Atlantic Records
  • BTS: “Dynamite” – Bighit Music
  • Cardi B ft. Megan Thee Stallion: “WAP” – Atlantic Records
  • Dua Lipa: “Levitating” – Warner Records
  • WINNER: Olivia Rodrigo: “Drivers License” – Geffen Records

 

BEST NEW ARTIST

  • 24kGoldn – Records LLC/Columbia Records
  • Giveon – Epic Records/Not So Fast
  • The Kid Laroi – Columbia Records
  • WINNER: Olivia Rodrigo – Geffen Records
  • Polo G – Columbia Records
  • Saweetie – Warner Records

 

PUSH PERFORMANCE OF THE YEAR

  • Wallows: “Are You Bored Yet?” – Atlantic Records
  • Ashnikko: “Daisy” – Warner Records
  • Saint Jhn: “Gorgeous” – Godd Complexx/HITCO
  • 24kGoldn: “Coco” – Records LLC/Columbia Records
  • JC Stewart: “Break My Heart” – Elektra Music Group
  • Latto: “Sex Lies” – RCA Records
  • Madison Beer: “Selfish” – Epic Records/Sing It Loud
  • The Kid Laroi: “Without You” – Columbia Records
  • WINNER: Olivia Rodrigo: “Drivers License” – Geffen Records
  • Girl in Red: “Serotonin” – World in Red/AWAL
  • Fousheé: “My Slime” – RCA Records
  • Jxdn: “Think About Me” – DTA Records/Elektra Music Group

 

BEST COLLABORATION

  • 24kGoldn ft. Iann Dior: “Mood” – Records LLC/Columbia Records
  • Cardi B ft. Megan Thee Stallion: “WAP” – Atlantic Records
  • WINNER: Doja Cat ft. SZA: “Kiss Me More” – Kemosabe Records/RCA Records
  • Drake ft. Lil Durk: “Laugh Now Cry Later” – OVO/Republic Records
  • Justin Bieber ft. Daniel Caesar, Giveon: “Peaches” – Def Jam
  • Miley Cyrus ft. Dua Lipa: “Prisoner” – RCA Records

 

BEST POP

  • Ariana Grande: “Positions” – Republic Records
  • Billie Eilish: “Therefore I Am” – Darkroom/Interscope Records
  • BTS: “Butter” – Bighit Music
  • Harry Styles: “Treat People With Kindness” – Columbia Records
  • WINNER: Justin Bieber ft. Daniel Caesar, Giveon: “Peaches” – Def Jam
  • Olivia Rodrigo: “Good 4 U” – Geffen Records
  • Shawn Mendes: “Wonder” – Island Records
  • Taylor Swift: “Willow” – Republic Records

 

BEST HIP-HOP

  • Cardi B ft. Megan Thee Stallion: “WAP” – Atlantic Records
  • Drake ft. Lil Durk: “Laugh Now Cry Later” – OVO/Republic Records
  • Lil Baby ft. Megan Thee Stallion: “On Me (remix)” – Quality Control/Motown
  • Moneybagg Yo – “Said Sum” – N-Less Entertainment/Interscope Records
  • Polo G: “Rapstar” – Columbia Records
  • WINNER: Travis Scott ft. Young Thug & M.I.A.: “Franchise” – Cactus Jack/Epic Records

 

BEST ROCK

  • Evanescence: “Use My Voice” – BMG
  • Foo Fighters: “Shame Shame” – Roswell Records/RCA Records
  • WINNER: John Mayer: “Last Train Home” – Columbia Records
  • The Killers: “My Own Soul’s Warning” – Island
  • Kings Of Leon: “The Bandit” – RCA Records
  • Lenny Kravitz: “Raise Vibration” – Roxie Records/BMG

 

BEST ALTERNATIVE

  • Bleachers: “Stop Making This Hurt” – RCA Records
  • Glass Animals: “Heat Waves” – Republic Records
  • Imagine Dragons: “Follow You” – Kidinakorner/Interscope Records
  • WINNER: Machine Gun Kelly ft. Blackbear: “My Ex’s Best Friend” – Bad Boy/Interscope Records
  • Twenty One Pilots: “Shy Away” – Fueled By Ramen

 

BEST LATIN

  • Bad Bunny x Jhay Cortez: “Dákiti” – The Orchard
  • WINNER: Billie Eilish & Rosalía: “Lo Vas A Olvidar” – Darkroom/Interscope Records
  • Black Eyed Peas and Shakira: “Girl Like Me” – Epic Records
  • Balvin, Dua Lipa, Bad Bunny, Tainy: “Un Die (One Day)” – Universal Music Latino/Neon16
  • Karol G: “Bichota” – Universal Music Latino
  • Maluma: “Hawái” – Sony Music US Latin

 

BEST R&B

  • Beyoncé, Blue Ivy, Saint Jhn, WizKid: “Brown Skin Girl” – Parkwood Entertainment/Columbia Records
  • WINNER: Bruno Mars, Anderson .Paak, Silk Sonic: “Leave the Door Open” – Aftermath Entertainment/Atlantic Records
  • Chris Brown and Young Thug: “Go Crazy” – Chris Brown Entertainment/RCA Records
  • Giveon: “Heartbreak Anniversary” – Epic Records/Not So Fast
  • H.E.R. ft. Chris Brown: “Come Through” – MBK Entertainment/RCA Records
  • SZA: “Good Days” – Top Dawg Entertainment/RCA Records

 

BEST K-POP

  • (G)I-DLE: “Dumdi Dumdi” – Republic Records
  • Blackpink and Selena Gomez: “Ice Cream” – YG Entertainment/Interscope Records
  • WINNER: BTS – “Butter” – Bighit Music
  • Monsta X: “Gambler” – Starship Entertainment
  • Seventeen: “Ready to love” – Pledis Entertainment
  • Twice: “Alcohol-Free” – JYP Entertainment Company

 

VIDEO FOR GOOD

  • WINNER: Billie Eilish: “Your Power” – Darkroom/Interscope Records
  • Demi Lovato: “Dancing With the Devil” – Island
  • H.E.R.: “Fight For You” – MBK Entertainment/RCA Records
  • Kane Brown: “Worldwide Beautiful” – Sony Music Nashville/RCA Records
  • Lil Nas X: “Montero (Call Me By Your Name)” – Columbia Records
  • Pharrell Williams ft. Jay-Z: “Entrepreneur” – Columbia Records

 

BEST DIRECTION

  • Billie Eilish: “Your Power” – Darkroom / Interscope Records; Directed by: Billie Eilish
  • DJ Khaled ft. Drake: “Popstar (Starring Justin Bieber)” – OVO/We The Best/Epic Records – Directed by: Julien Christian Lutz a.k.a. Director X
  • WINNER: Lil Nas X: “Montero (Call Me by Your Name)” – Columbia Records – Directed by: Lil Nas X and Tanu Muino
  • Taylor Swift: “Willow” – Republic Records – Directed by: Taylor Swift
  • Travis Scott ft. Young Thug & M.I.A: “Franchise” – Cactus Jack/Epic Records – Directed by: Travis Scott
  • Tyler, The Creator: “Lumberjack” – Columbia Records; Directed by: Wolf Haley

 

BEST CINEMATOGRAPHY

  • WINNER: Beyoncé, Blue Ivy, SAINt JHN, WizKid: “Brown Skin Girl” – Parkwood Entertainment/Columbia Records – Cinematography by: Benoit Soler, Malik H. Sayeed, Mohammaed Atta Ahmed, Santiago Gonzalez, Ryan Helfant
  • Billie Eilish: “Therefore I Am” – Darkroom/Interscope Records – Cinematography by: Rob Witt
  • Foo Fighters: “Shame Shame” – Roswell Records/RCA Records – Cinematography by: Santiago Gonzalez
  • Justin Bieber ft. Chance The Rapper: “Holy” – RBMG/Def Jam – Cinematography by: Elias Talbot
  • Lady Gaga: “911” – Interscope Records – Cinematography by: Jeff Cronenweth
  • Lorde: “Solar Power” – Republic Records – Cinematography by: Andrew Stroud

 

BEST ART DIRECTION

  • Beyoncé, Shatta Wale, Major Lazer: “Already” – Parkwood Entertainment/Columbia Records – Art Direction by: Susan Linns, Gerard Santos
  • Ed Sheeran: “Bad Habits” – Atlantic Records – Art Direction by: Alison Dominitz
  • Lady Gaga: “911” – Interscope Records – Art Direction by: Tom Foden, Peter Andrus
  • Lil Nas X: “Montero (Call Me By Your Name)” – Columbia Records – Art Direction by: John Richoux
  • WINNER: Saweetie ft. Doja Cat: “Best Friend” – Warner Records – Art Direction by: Alec Contestabile
  • Taylor Swift – “Willow” – Republic Records – Art Direction by: Ethan Tobman, Regina Fernandez

 

BEST VISUAL EFFECTS

  • Bella Poarch: “Build a Bitch” – Warner Records – Visual Effects by: Andrew Donoho, Denhov Visuals, Denis Strahhov, Rein Jakobson, Vahur Kuusk, Tatjana Pavlik, Yekaterina Vetrova
  • Coldplay: “Higher Power” – Atlantic Records – Visual Effects by: Mathematic
  • Doja Cat & The Weeknd – “You Right” – Kemosabe Records/RCA Records – Visual Effects by: La Pac, Anthony Lestremau, Julien Missaire, Petr Shkolniy, Alexi Bailla, Micha Sher, Antoine Hache, Mikros MPC, Nicolas Huget, Guillaume Ho Tsong Fang, Benjamin Lenfant, Stephane Pivron, MPC Bangalore, Chanakya Chander, Raju Ganesh, David Rouxel
  • Glass Animals: “Tangerine” – Republic Records – Visual Effects by: Ronan Fourreau
  • WINNER: Lil Nas X: “Montero (Call Me by Your Name)” – Columbia Records – Visual Effects by: Mathematic
  • P!nk: “All I Know So Far” – RCA Records – Visual Effects by: BUF, VFX Supervisors: Dominique Vidal & Geoffrey Niquet, VFX Producers: Annabelle Zoellin & Camille Gibrat

 

BEST CHOREOGRAPHY

  • Ariana Grande – “34+35” – Republic Records – Choreography by: Brian Nicholson & Scott Nicholson
  • BTS – “Butter” – Bighit Music – Choreography by: Son Sung with BHM Performance Directing Team
  • Ed Sheeran – “Bad Habits” – Atlantic Records – Choreography by: Natricia Bernard
  • Foo Fighters – “Shame Shame” – Roswell Records/RCA Records – Choreography by: Nina McNeely
  • WINNER: Harry Styles – “Treat People With Kindness” – Columbia Records
  • Marshmello & Halsey – “Be Kind” – Astralwerks/Capitol Records – Choreography by: Dani Vitale

 

BEST EDITING

  • WINNER: Bruno Mars, Anderson .Paak, Silk Sonic: “Leave the Door Open” – Aftermath Entertainment/Atlantic Records – Editing by: Troy Charbonnet
  • BTS: “Butter” – Bighit Music – Editing by: Yong Seok Choi from Lumpens
  • Drake: “What’s Next” – OVO/Republic Records – Editing by: Noah Kendal
  • Harry Styles: “Treat People With Kindness” – Columbia Records
  • Justin Bieber ft. Daniel Caesar, Giveon: “Peaches” – Def Jam
  • Miley Cyrus ft. Dua Lipa: “Prisoner” – RCA Records

Entertainment Gists

PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

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From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.

The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.

Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.

Early Background and Creative Foundation

Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.

His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.

His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.

Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.

Musical Influences and Artistic Identity

Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.

He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.

These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.

The combination of these influences provides an interesting foundation for understanding his creative direction.

Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.

Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.

Discography and Recorded Musical Journey

PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.

One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.

The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.

He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.

Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.

These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.

Collaboration with Freezy West: The Story Behind “GenZ Luv”

An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.

The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.

The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.

Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.

The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.

Beyond Music: A Multifaceted Creative Personality

While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.

These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.

In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.

His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.

Career Development and the Road Ahead

The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.

For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.

His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.

His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.

As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.

For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.

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“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

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On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.

For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.

Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.

There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.

The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.

Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.

At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.

Watch IFEOLUWA on YouTube

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Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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