Emaxee – It’s Not My Fault (Me vs The Educational System)
A Frustrated Nigerian Student Expresses His Displease Over The School System.
In recent times, education and schooling have been a big and all-around discourse; stemming from the government’s inability to get lecturers back to class, the negligence towards education and most importantly, the archaic and talent-butchering schooling system. All of these and more have been shown by statistics and media outlets that have had a huge effect on the students and youth the most.
Oke Emmanuel, a fast-rising songwriter, and performing artist, in his just dropped single vented his frustration and displeasure over the appalling and dysfunctional educational system. He titled this newly released single: It’s Not My Fault (Me vs Educational System). A grime genre of rap in which the tone and mood of the song showed his emotions and disappointment over what we call education – a cram-to-pass system – where only
good memorisation skills are needed and not intelligence.
In this song, Emaxee, as he’s fondly called, did a great job of alighting the problems of our educational system ranging from the fact that the system encourages competition to teamwork, obsesses itself with grades rather than being knowledge-driven, more theories to practice. The system finds ways to screw students at every turn and have no or little care for the abilities of these individual students. He didn’t give it a stop at that, he
made references to how companies look inward to core competencies and intangible skills than judge ordinarily by grades which the school holds greatly.
He gave a teacher-side stating teachers are just employees of this abhorrent system; they just want to earn a decent living – they don’t want to teach – never been a passion for many of them. Teachers, just like every other, follow the order of their employer. They are meant to make students employees and not creators of employment. How do you teach to create and when you can’t create yourself? This system just promotes remembering and not thinking; for when you turn employees, you shouldn’t think but remember orders. Conclusively, Emaxee vented his frustrations, anger and displeasure over the educational system which does not respect individualism. A system that facilitates cheating and malpractices. A system that ignores individual strength and talent – individual differences. A system that makes competition unhealthy and teamwork are unacceptable. A system that enhances sex for grades and irresponsibility amidst teaching class. A failed system making students feel like failures. A dysfunctional system: The Educational System.
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Keltony Returns With New Hit Single “4K OFF YA” Produced by Masterkraft, Hits 40,000+ TikTok Videos in One Week
Rising Afrobeat artist Keltony is back with his highly anticipated new single, “4K OFF YA,” produced by award-winning Nigerian hitmaker Masterkraft and released under Cribs International.
The new single follows Keltony’s debut release under Cribs International, “Come Chop,” which introduced the young artist to a wider audience and marked the beginning of his journey with the label.
With “4K OFF YA,” Keltony takes things a step further with an energetic and infectious record that is already generating major attention across social media and the streets.
Within just five days of its release, “4K OFF YA” generated over 10,000 TikTok videos, and by the end of its first week, the song had surpassed 30,000 TikTok videos, showing the strong organic response the record is receiving from listeners and content creators.
Beyond TikTok, the song is also gaining serious momentum in Sierra Leone, where “4K OFF YA” is increasingly being heard across the streets and social scenes, further expanding Keltony’s growing presence beyond Nigeria.
“4K OFF YA” is built around a catchy concept, energetic Afrobeat production, and Keltony’s confident delivery, with a catchy hook “ You wan kiss, You no wan nack?” The record carries a bold, playful, and unapologetic energy that makes it a natural fit for dance videos, street content, parties, and social media challenges.
Produced by Masterkraft, the song combines infectious rhythms with a memorable hook and Keltony’s distinctive vocal style. The collaboration once again showcases the chemistry between the rising artist and the celebrated producer.
Following the introduction made with “Come Chop,” Keltony is using “4K OFF YA” to establish a stronger identity and connect with an even wider audience. With thousands of TikTok videos already created around the song and its growing street presence in Sierra Leone, the record is steadily building into a major movement.
“4K OFF YA” is now available on all major streaming and digital music platforms.
Stream the song, create your own video, and join the movement.
Stream the song HERE
Nigerian Afrobeats artist Nino De Brown returns with a new single, “Money,” featuring
Rhapsodic Records artist and producer Sholex Timbo On “Money,”
Nino De Brown takes on one of the most universal subjects in modern life: the desire for financial success and everything that comes with it. Rather than presenting wealth simply as a symbol of luxury, Nino De Brown uses the record to explore the complicated emotions behind wanting money, needing money, and understanding what money cannot provide.
The song immediately establishes its theme with the memorable refrain:
“Money no dey buy happiness, I know am
But still I want am
Money be the root of all evil, I hear am
But still I want am”
Those lines capture the central contradiction of the record. People may understand that money cannot guarantee happiness, peace, love, or fulfillment, yet the desire for financial freedom remains powerful.
Nino De Brown approaches the subject from a deeply relatable perspective, turning everyday ambitions into an infectious Afrobeats record. His melodic delivery gives the song an easygoing quality, while the lyrics carry a more reflective message underneath the rhythm.
“Money” speaks to the realities of wanting to improve one’s circumstances, support loved ones, achieve personal goals, and enjoy the opportunities that financial success can bring. At the same time, the song acknowledges the limits of wealth and the complicated relationship people can have with the pursuit of it.
The record sees Nino De Brown continuing to develop his sound and songwriting around themes that connect with everyday experiences. His ability to package a familiar subject into a catchy and accessible Afrobeats record gives “Money” both immediate appeal and a message listeners can take away from it.
Adding to the record is Sholex Timbo, a newly signed artist and producer under Rhapsodic Records, who contributes as a featured artist and produced the song. His production provides the rhythmic foundation for Nino De Brown’s performance while adding another layer to the collaboration.
Ultimately, “Money” remains a Nino De Brown record at its core an honest, melodic and infectious reflection on ambition, desire and the realities of chasing financial success.
“Money” by Nino De Brown featuring Sholex Timbo is out now on all major streaming platforms.
STREAM HERE
Sandra is a gospel singer, songwriter, recording artist, and lawyer by profession.
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