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Police Tear Gas Main Cause of Indonesia Football Stampede: Report

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A riot police officer fires tear gas inside the Kanjuruhan stadium in Malang, East Java province, Indonesia

Most of the 135 victims caught up in panic and chaos in the stadium died of asphyxiation, Indonesian rights commission finds.

The excessive and indiscriminate use of tear gas by police was the main cause of a deadly crush at a football stadium in East Java last month that left 135 people dead, Indonesia’s human rights commission has found.

Officials from the commission (Komnas HAM) released findings on Wednesday of their inquiry into the October 1 tragedy at Kanjuruhan stadium in East Java’s Malang city after the defeat of the home side Arema FC to Persebaya Surabaya.

Komnas HAM Commissioner Beka Ulung Hapsara told a news conference that an estimated 45 tear gas rounds were fired inside the stadium, local media organisation Tempo reported, causing panic and chaos, with people dying in the crush.

“There needs to be legal responsibility,” Komnas HAM chairperson Ahmad Taufan Damanik said.

The commissioners specified several violations of human rights in what was one of the world’s worst stadium disasters, including the excessive use of force by police and violation of children’s rights as there were 38 minors among the dead.

The rights body concluded that organisers had favoured commercial interests over safety standards despite warnings from Malang police the match was high risk because of a fierce rivalry between fans of the two participating clubs.

In its list of recommendations, Komnas HAM urged Indonesian President Joko Widodo to form an independent team to audit all stadiums across the country to ensure adherence to FIFA regulations.

If no improvements were made in three months, football matches in the country should be suspended, the commissioners said.

The Komnas HAM report echoed similar conclusions made last month by a government fact-finding team, which found multiple factors including the excessive use of tear gas by police, locked gates, spectators that exceeded the stadium’s capacity, and failure to properly implement safety procedures.

Indonesian authorities and the Indonesian football association (PSSI) have faced questions and criticism in recent weeks over the use by police of tear gas within the stadium, a crowd control measure banned by world football’s governing body FIFA.

Officials concluded in a report published last month that the leading cause behind the incident was the police’s use of tear gas in the stadium. The clouds of choking gas triggered chaos, as panicked spectators rushed to exit gates, which several witnesses told Al Jazeera were either locked or blocked by police.

President Widodo said last month that his government will demolish and rebuild the football stadium where the fans and spectators died.

SOURCE: AL JAZEERA AND NEWS AGENCIES

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KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

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Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.

Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.

Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.

With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.

Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.

 

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Kilo Lazer Set To Release Debut Album “From The Mud” On August 21

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Nigerian street-pop artist Kilo Lazer is set to release his highly anticipated new album, From the Mud, on Friday, August 21, 2026.

The project is a raw and personal reflection of Kilo Lazer’s journey, capturing themes of struggle, ambition, faith, family, money, survival and the pursuit of success. Across 18 tracks, the album documents the realities of coming from humble beginnings while chasing a bigger life.

The tracklist features songs including “I’m Grateful God,” “Iba,” “Ọmọ Lugbade,” “Something Good,” “Bọ̀rọ̀ Bọ̀rọ̀,” “Gift,” “Mamacita,” “Adura,” “After Money Na Money,” “Love You Mama,” “Father Legacy,” “Burst,” “Bounce,” “Ọ̀wọ́ Nìjọ̀ Wa,” “Lighter Mi,” “Agbara,” “Tẹka,” and “Watery Watery Rice.”

With From the Mud, Kilo Lazer presents more than an album—it is a soundtrack to his journey from where he started to where he is determined to go.

From the Mud drops Friday, August 21, 2026, across all major streaming platforms.

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Biography Of AfroGospel Singer ADEBISI

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ADELIYI ADEBISI, professionally known as ADEBISI and also recognized as ADEXBARCA, is a UK-based gospel musician, praise leader, songwriter, and music producer dedicated to leading people into authentic worship through music.

With a passion for creating songs that inspire gratitude, faith, and heartfelt praise, ADEBISI has steadily built a growing reputation as one of the emerging voices in contemporary African gospel music. His sound blends Afro-gospel rhythms with powerful worship, delivering songs that resonate across cultures, generations, and languages.

Beyond recording music, ADEBISI actively ministers as a psalmist, leading worship in partnership with churches, ministries, and gospel events across the United Kingdom. His ministry is centered on creating an atmosphere where people can encounter God through sincere praise and worship.

Over the years, he has released a number of inspiring gospel songs, including Ese BabaOluwatamiloreHalleluyahGive Praise to God, and Jelenke Praise. His latest single, “Receive My Praise (Baba Gbo Ope Mi)”, continues that journey with a vibrant Afro-gospel worship sound that celebrates thanksgiving and wholehearted devotion to God.

As both a songwriter and producer, ADEBISI remains committed to creating original congregational praise music that ministers to listeners worldwide. His mission is simple yet profound: to lead God’s people into genuine, heartfelt praise—one song at a time.

His music is available on all major digital streaming platforms, including Spotify, Apple Music, Audiomack, Boomplay, SoundCloud, and YouTube.

Connect with ADEBISI

  • TikTok: @adexbarca
  • Instagram: @adexbarca1
  • YouTube: @adexbarca
  • Facebook: Adebisiofficial

Search “ADEBISI” on all major music streaming platforms to discover his growing catalogue of praise and worship music.

 

 

 

 

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