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I’m role model to beauty queens, says Queen Jane Nnadozie who’s ending Igbo language extinction

Queen Jane Chibuzor Nnadozie who is the reigning Asa Igbo has described herself a role model to other beauty queens in Nigeria and also said that parents should be blamed for the fading of Igbo language.
The beauty queen who won her titled at the Asa Igbo Beauty Pageant last year in Owerri, Imo State said her life has changed since then and she no longer owns herself. She further stated that being a beauty queen of her type is less of exhibition but more of taking responsibilities.
The Ehime Mbano, Local Government Area of Imo State, born model who is presently working on a project to prevent the extinction of Igbo language said parents should be blamed for the decline in the speaking of the language.
“Trying to convince people, families, and parents especially has not been easy. Everything centers on the parents. If they make Igbo language a compulsory language in their homes, believe me we will have children who are proud of Igbo language.
“It’s unlike most people in the diaspora whom their children are good at speaking Igbo language because their parents made it compulsory. 80% of the blame should be on the parents.
Our schools also cause it by calling our language vernacular and even at that, when the Yorubas and Housas gather, they speak their language unlike we Igbos”, she explained.
She then laughed off the term ‘Igbotic’, which is often used to mock people who often speak Igbo language adding that the term was still invented by Igbos.
She said: “Someone calls me that because I speak my language, eat my food and all of it. It doesn’t matter, what matters is that I find joy in doing it, so others should do the same so that we can save our darling language”
Her Royal Majesty Queen Jane Chibuzor Nnadozie hailed Igbos in the diaspora, for taking the bull by the horn to work against a United Nation statement which says that Igbo language will go on extinction in 20 years time, by organizing conferences and Igbo days as far as they are, adding that those at home should learn from that by doing more.

“We can start from somewhere”, she said after explaining her pet project titled ‘Asusu Igbo Gaadi’ [Igbo language must live on] which was launched in December, 2014.
“Which is why I am trying to catch them young from primary and secondary schools. To sensitize them; make them believe in what they have and make them know where they belong”, the light skinned beauty queen further stated.
She revealed that her campaign will be kicking off with an Igbo language quiz competition for primary and secondary schools in Imo Sate on Friday, November 27, 3015 at Pretoria City Hotels, Owerri, Imo State.
According to the Imo State University Owerri graduate of History and International Studies, five best Igbo speaking students are expected from each school for the quiz competition which has no registration fee.
She then said that her crown and project does not make her inferior in the presence of other beauty queens with more contemporary titles and project, rather she sees herself as a role model to them because they should all want to be like her.
“I’m trading on path no one has ever tried to explore, so they should all want to be like me. People will be afraid of walking this path, but I am not. I know it will be difficult, but with the support people with the same interest, it will be done. We can save Igbo language. Asusu Igbo Ga adi”, Asa Igbo concluded.
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Kilo Lazer – From the Mud Album

Kilo Lazer officially steps into a new chapter with the release of his debut album, From the Mud a body of work that captures his journey, resilience, consistency, and undeniable growth.
Rooted in experience and shaped by the realities of coming from the bottom, From the Mud tells Kilo Lazer’s story through raw energy, honest storytelling, and a sound that reflects how far he has come.
More than a debut, the album is a testament to staying the course, trusting the process, and turning struggle into purpose.
Kilo Lazer’s From the Mud is out now on all major streaming platforms.
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Queen Petite – Ikapiano Pop
Multi-hyphenate artist, selector, and creative director Queen Petite is ushering in a bold, uninhibited era for global African music with the release of her brand-new single and self-engineered genre movement, “Ikapiano Pop.” Marking her second major genre innovation following her pioneering creation of Dembowpiano, the Nigeria-London based powerhouse continues to push global dancefloors into uncharted territory off the momentum of her standout projects PETITENESS and REBEL BLACK SHEEP.
Guided by her background behind the decks, Queen Petite’s work is driven by an instinctual command of room energy, seamless transitions, and dancefloor mechanics. Ikapiano Pop stands as a textured, high-octane fusion that layers trunk-rattling Miami basslines and crisp hip-hop drums over the hypnotic, swinging log-drums of Afropiano. Grounding this international production is her native heritage: the vocals are written and performed entirely in the Ika dialect, native to the South-South region of Nigeria, proving that raw, local storytelling holds universal cross-border appeal.
“Creating new sounds is second nature to me—first with Dembowpiano, and now stepping into my second genre creation with IKAPIANO POP,” states Queen Petite. “I didn’t start with an existing box and add my name to it; I built the blueprint from scratch. Being a DJ taught me how to read energy, and I wanted to construct something that feels incredible whether you’re listening in headphones or in a packed arena. It brings together my African identity, global influences, and pop accessibility so people feel free, confident, and unstoppable.”
Captured during an intense burst of inspiration, the track was recorded at London’s Hot Money Studios alongside engineer Patrick, with Queen Petite personally directing her Nigerian producer over the phone to execute the exact rhythmic blueprint in her mind. More than just a single release, Ikapiano Pop represents a long-term global movement set to anchor her upcoming DJ sets and live performances across the UK, Europe, Africa, and the Americas. Described in three words as Free, Vibrant, and Unstoppable, “Ikapiano Pop” is available now on all major streaming platforms.
Watch the Official Music Video for “Ikapiano Pop”
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Temmy Dreddz – Jẹjẹ

Blow Money Records proudly announces the release of “Jẹjẹ,” the latest single and official music video from Nigerian Afro-fusion artist Temmy Dreddz.
Produced by the talented OxDBeat and visually brought to life by Kore Culture with breathtaking scenes filmed in South Africa, Jẹjẹ is a refreshing Afrobeats record that celebrates love, patience, hope, and the beauty of embracing life’s journey one step at a time.
More than just a song, Jẹjẹ delivers a powerful message in a world driven by urgency. Inspired by the Yoruba expression jẹjẹ, meaning gently or take it easy, the record reminds listeners that meaningful progress, genuine love, and lasting success are built with patience, consistency, and faith in the process.
Complementing the song is a visually captivating music video that blends cinematic storytelling with vibrant African scenery, perfectly reflecting the warmth, emotion, and uplifting spirit of the record. Shot against the stunning landscapes of South Africa, the video enhances the song’s message while showcasing Temmy Dreddz’s artistic identity on a global stage.
Speaking on the release, Temmy Dreddz describes Jẹje.
With this release, Temmy Dreddz continues to establish himself as one of the emerging voices in contemporary African music, delivering authentic stories through infectious melodies and relatable songwriting.
“Jẹjẹ” and its official music video are now available on all major digital streaming platforms and YouTube worldwide.
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