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Biden’s Israel Funding Request Gets Scrutiny, Hits Early Hurdle

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A Palestinian woman walks past the rubble of a fallen building in the aftermath of the Israeli bombing of Rafah in the southern Gaza Strip on October 31

US rights group says president’s request to Congress for Israel aid suggests US may ‘bankroll’ displacement of Palestinians.

Washington, DC – A rights group in the United States has raised alarm over President Joe Biden’s request for $14bn in funding for Israel, noting that the push contains language that suggests efforts to remove Palestinians from Gaza.

Democracy for the Arab World Now (DAWN) warned on Monday that Biden’s funding request could “bankroll” the ethnic cleansing of Palestinians.

“These resources would support displaced and conflict-affected civilians, including Palestinian refugees in Gaza and the West Bank” and “address potential needs of Gazans fleeing to neighboring countries”, a White House letter about the funding request explains.

“This would include food and nonfood items, healthcare, emergency shelter support, water and sanitation assistance, and emergency protection. This would also include potential critical humanitarian infrastructure costs needed for the refugee population to provide access to basic, life-sustaining support.”

The letter, addressed to Congress and sent on October 20, goes on to say that the Israel-Hamas war “could well result in displacement across border and higher regional humanitarian needs, and funding may be used to meet evolving programming requirements outside of Gaza”.

Concerns about Palestinian displacement were amplified after +972 Magazine reported it had received a leaked Israeli government document outlining a plan to transfer Gaza’s entire population abroad. The magazine added that a source in Israel’s Intelligence Ministry confirmed the document’s authenticity.

“The Biden administration isn’t just giving a green light for ethnic cleansing — it’s bankrolling it,” Sarah Leah Whitson, DAWN’s executive director, said in a statement.

“Gaslighting Americans into facilitating long-held Israeli plans to depopulate Gaza under the cover of ‘humanitarian aid’ is a cruel and grotesque hoax.”

Gaza is home to an estimated 2.3 million people, the majority of whom are refugees or descendants of people who were displaced from historic Palestine during the establishment of the state of Israel in 1948.

The White House did not respond to Al Jazeera’s requests for comment, but the Biden administration signalled this week that it does not endorse plans to remove Palestinians from their homes.

On Sunday, Biden discussed with his Egyptian counterpart Abdel Fattah el-Sisi “the importance of protecting civilian lives, respect for international humanitarian law, and ensuring that Palestinians in Gaza are not displaced to Egypt or any other nation”.

A day later, White House National Security Spokesperson John Kirby said the US is still working on “safe passage” abroad for Gaza residents seeking to escape the ongoing Israeli bombardment, but he acknowledged that not many “want to flee forever and go somewhere else in the world”.

“So, at some point, you’ve got to start thinking through what that’s going to look like,” Kirby said. “And I just don’t know that we’ve had any solid answers to that right now.”

Egypt has rejected moving Gaza’s population into its territory.

Domestically, Biden’s funding request hit an early snag in the Republican-controlled House of Representatives, despite its overwhelming support for Israel.

Republican lawmakers, under newly elected House Speaker Mike Johnson, introduced a bill that separates aid for Israel from assistance for Ukraine. Biden’s proposal had combined the funds for a total request of $105bn.

Moreover, the Republican bill would offset the Israel aid by slashing funding from the Internal Revenue Service (IRS), the US tax agency — and a longstanding target for conservatives.

Several Democrats have voiced opposition to the Republican proposal, suggesting that the two parties would need to compromise to push forward any legislation for aid money. Democrats control the Senate and the White House, whose approval is needed to pass laws.

Senate Majority Leader Chuck Schumer rejected the Republican bill on Tuesday, accusing right-wing lawmakers of seeking to help rich people avoid paying taxes by siphoning money away from the IRS.

“It’s insulting that the hard right is openly trying to exploit the crisis in Israel to try and reward the ultra-rich,” Schumer, a staunch Israel supporter, said in a statement.

“The new Speaker knows perfectly well that if you want to help Israel, you can’t propose legislation that is full of poison pills. And this kind of unnecessarily partisan legislation sends the wrong message to our allies and adversaries around the world.”

But far-right Congresswoman Lauren Beobert welcomed the bill.

“We can’t spend unlimited money. We’re $33 trillion in debt. The money has to come somewhere and it should come from the IRS which is being weaponized against the public,” she wrote on the social media platform X.

“Now, Democrats can decide if they prefer helping our allies in Israel or targeting Americans with the IRS.”

Progressive lawmakers have long called for conditions to be placed on aid to Israel — to discourage abuses against Palestinians — but those voices remain a small minority in Congress.

Israel, which is accused of imposing apartheid on Palestinians by major rights groups like Amnesty International, receives approximately $3.8bn in US military assistance annually.

SOURCE: AL JAZEERA


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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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