Entertainment Gists
Tracy Chapman First Black Woman To Write Top US Country Song

Tracy Chapman has become the first Black woman to have sole writing credit on a chart-topping country song
A version of Chapman’s song Fast Car – which she solely wrote – has reached number one on US country chart, making history.
“You’ve got a fast car. I want a ticket to anywhere.”
So goes the opening line of US singer Tracy Chapman’s 1988 hit song Fast Car, a wistful and terse folk ballad about breaking out of bad situations.
More than 35 years later, the song has offered another breakthrough, making Chapman the first Black woman to have a sole writing credit on a number-one country song – a genre that has only recently seen a limited increase in diversity in its mainstream.
On Monday afternoon, the song reached the top of Billboard’s definitive Country Airplay chart, albeit a version recorded by country star Luke Combs.
Tracy Chapman becomes the first Black woman in history to reach #1 on the Billboard Country Airplay chart as the sole songwriter. pic.twitter.com/mmD11f3P7l
— chart data (@chartdata) July 3, 2023
Rolling Stone reported that Chapman is only the fourth Black woman to have a writing credit of any kind on a top country song.
Billboard, meanwhile, noted that Chapman is only the second Black songwriter to have a sole writing credit on a number on Country Airplay since it was launched in 1990.
Sam Cooke’s 1964 song Good Times had previously reached the top spot when covered by Dan Seals in 1990.
‘Keep on driving’
The country chart accession is the latest recognition of Chapman’s intimate writing on Fast Car, which American Songwriter describes as “a subdued acoustic ballad about a young woman trying to escape the cycle of poverty”.
Heard Luke Comb's version of Fast Car. I listened to it & it's fine but nothing beats that 1st time I heard Tracy Chapman on the radio. I vividly remember her pain & hope & plea and that I found myself crying. "I had a feeling I could be someone." pic.twitter.com/ycdfcSdm2W
— Daniel "Kamala Harris/Tim Walz 2024" Maycock (@danielmaycock) July 1, 2023
That attempt at escape – “leave tonight, or live and die this way” – leads to a dead-end job and a dead-end relationship.
In a final rejection, or reclamation, Chapman writes: “Take your fast car and keep on driving.”
For her part, Chapman has generally avoided discussing the meaning of specific songs. She has also not publicly commented on the latest rise of Combs’s version.
But Fast Car has continued to show its staying power. Rolling Stone recently ranked it at 71 out of the 500 greatest songs of all time.
The song reached sixth on the Billboard Hot 100, considered the definitive United States music industry chart, following its 1988 release. Its popularity was boosted by Chapman’s performance that year at Nelson Mandela’s 70th Birthday Tribute at London’s Wembley Stadium.
Fast Car went on to top the charts throughout Europe, and Chapman won the Grammy for Best Female Pop Vocal Performance.
Every time I hear the Luke Combs version of Tracy Chapman's "fast car" I get mad, lol. The original was better!
— My father's son (@Bigboysplash) June 27, 2023
Regular covers of the single have seen Fast Car – including Chapman’s version – reappear on the charts throughout the last three decades.
Meanwhile, Chapman’s original version of the song has also been embraced as an LGBTQ anthem.
“The way Chapman sings about a genderless couple leaving town to find a home in a city nearby is something all queer people can relate to,” wrote Trish Bendix for the Into news site in 2018.
Amid the latest surge, some fans were quick to voice their preference for Chapman’s original version over the version released by Combs.
“Fast Car loses all of its depth and meaning being covered by a white male HOWEVER, she’s likely laughing all the way to the bank,” wrote one Twitter user under the handle Mother Nature’s Muse.
Combs must pay royalties to Chapman for use of the song.
https://twitter.com/kilday_morgan/status/1673151588553162752?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1673353080081874946%7Ctwgr%5Ee0bc579ab9dc1297f7e4b0d540b07503f1e75687%7Ctwcon%5Es2_&ref_url=https%3A%2F%2Fwww.aljazeera.com%2Fnews%2F2023%2F7%2F4%2Ftracy-chapman-first-black-woman-to-write-top-us-country-song
“You can always hope that it exposes more folks to her genius.”
Wrote Canadian legislator Janis Irwin: “Anyone who knows me knows that Fast Car by Tracy Chapman is one of my favourite songs of all time.”
“Anyway, I love that a new generation gets to experience her music,” she added.
Entertainment Gists
RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
Entertainment Gists
Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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