News
Train Attack: FG Given 72-hour Ultimatum To Rescue Abducted Passengers

Family members of the passengers kidnapped during the March 28 terrorist attack on an Abuja-Kaduna train have issued a 72-hour ultimatum to the federal government to ensure the safe rescue of all the abductees.
The families gave the ultimatum at the end of a meeting of the family members in Kaduna on Monday, April 12.
Reacting to the recent video released by the terrorists showing the abductees pleading on the government to rescue them, the families said they were yet to receive any word from those who abducted their loved ones.
Speaking on behalf of other family members, Abdulfatai Jimoh, said
”The kidnappers said we should be ready that they are going to contact us. We have not had any communication with them since then,” he said.
Since this incident happened, we expected that by now, the government, the Nigerian Railway Corporation and the federal ministry of transportation are supposed to have identified relatives of the victims to tell us what efforts they are making or not to rescue our loved ones unhurt.
In fact, the primary duty of any government is to protect the lives and property of citizens. We believe our government can do it and it’s capable of doing it.
Until a few days ago, we had been expecting telephone calls from the abductors because that’s what they promised us. But when we saw the video, they made it very clear that they want to discuss with the government; that they have something with the government.
We don’t know what they want from the government. But it is now an opportunity and a window for the government to rescue our loved ones by opening channels of communication with them. This is not out of place. It is done anywhere in the world.
This, we know our government can do and we are appealing to them to do it. We don’t know what is between them but it is something that can be resolved in the interest of the lives of Nigerian citizens. Life is very sacred — even if it is one life that’s involved.
We are appealing to them to open a channel of discussion with the bandits and get our loved ones out as quickly as possible. We have been in serious anguish over the past 15 days. Many of us have not been sleeping. We are like living corpses.
We have decided collectively that we are giving the government 72 hours to do everything that’s necessary to rescue our loved ones.”
News
Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London


East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
News
Afrocentric Music Festival Invites 1,000 Music Artists!

Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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