
Tammy Abraham repaid manager Frank Lampard’s faith in youth as his two goals against Norwich helped Chelsea to their first win of the season.
In a frantic start, Abraham opened the scoring inside three minutes for the Blues, whose starting line-up had an average age of 24 years and 208 days – their youngest in the Premier League since February 1994.
But Norwich equalised just 156 seconds later, Todd Cantwell finishing from close range from a Teemu Pukki cross.
Mason Mount restored the Blues’ lead midway through the first half with his second goal of the season, but the Canaries soon pulled level once more as Pukki slotted in from a tight angle for his fifth of the campaign.
Chelsea dominated the start of the second half and were rewarded through Abraham’s second – an unstoppable drive past Tim Krul – before Kurt Zouma had a goal ruled out by the video assistant referee after substitute Olivier Giroud was judged to have fouled the Norwich keeper.
The result means Chelsea are unbeaten against Norwich in 16 meetings.
Chelsea youth stay patient
Lampard made two changes to the side that drew with Leicester last weekend, bringing in Abraham and Mateo Kovacic for Giroud and the injured N’Golo Kante, but he was forced to make another change after Pedro picked up a hamstring problem in the warm-up, replacing him with Ross Barkley.
His trust in his younger players paid dividends inside the opening 20 minutes at Carrow Road, with Abraham – who he said before kick-off would “cause Norwich problems” – finishing off Cesar Azpilicueta’s cross with a sweet finish into the bottom right-hand corner in the opening stages of the match.
Just 11 minutes after Cantwell’s equaliser for Norwich, Mount – who Lampard had on loan at Derby last season – cut inside the hosts’ defence and unleashed an unstoppable shot high into the net.
Despite Norwich’s second leveller, Chelsea continued to pressure their opponents’ shaky defence and Mount and Christian Pulisic both saw efforts go wide within moments of the second half getting under way.
Abraham’s second goal saw him become the youngest Chelsea player to score twice in a Premier League fixture since 1998, twisting and turning and tying Grant Hanley and Jamal Lewis in knots before firing past Krul.
The Blues thought they had scored again when Zouma poked a loose ball home, but the VAR got involved after referee Martin Atkinson had initially awarded the goal.
The only downside to Chelsea’s victory came late on as Mount hobbled off injured.
Canaries chirpy start slows down
Premier League newcomers Norwich have quickly established themselves as a side not to be underestimated this season and they demonstrated that early on against Chelsea as Finnish striker Pukki – the Canaries’ hat-trick hero against Newcastle – put the ball on a plate for Cantwell to score his first goal in the top flight.
After Mount’s goal, Chelsea enjoyed a spell of sustained pressure and Norwich had Krul to thank for not slipping further behind, the keeper producing a sublime save to swipe an Andreas Christensen header over the bar.
The hosts were soon level though, Pukki effortlessly slotting home to become only the 10th player to have scored in his first three Premier League appearances.
Norwich struggled to match Chelsea’s tempo after the break and had to wait more than 20 minutes for their first attack of the second half, but were punished just 30 seconds later as Abraham bagged his second.
Ben Godfrey hit the bar with a header from a corner soon after but manager Daniel Farke ruled change was needed, making a triple substitution with 10 minutes to go as his side searched for a late equaliser.
It worked to some extent, Norwich pushing Chelsea harder in the later stages than they had throughout the half but ultimately struggling to find the end product.
Man of the match – Mason Mount (Chelsea)

‘I’m really pleased’ – what they said
The stats
- Chelsea boss Frank Lampard has lost none of his three managerial meetings with Norwich (W2 D1), winning both of his visits to Carrow Road (also 4-3 with Derby in December 2018) – Mason Mount has been on the scoresheet in both such wins.
- Norwich have scored at least twice in 16 of their last 17 home league games, scoring a total of 46 goals in this period. However, this was their first home league defeat of 2019 (P12 W8 D3 L1).
- Both Norwich and Chelsea had scored after just five minutes and 32 seconds, the earliest time taken for both teams to find the net in a Premier League fixture since November 2017, when Crystal Palace v Everton was at 1-1 after 5:25.
- Chelsea striker Tammy Abraham has scored 28 league goals (including in the play-offs) since the start of last season, the most of any English player in the top two tiers of English football in that time.
- Aged 21 years and 326 days old, Abraham is the third youngest player to score a brace in the Premier League for Chelsea, after Mark Nicholls in January 1998 against Coventry (20y 225d) and Eddie Newton in December 1992 against Tottenham (20y 358d).
- Norwich forward Teemu Pukki (five goals) is the 10th player to score in each of his first three Premier League appearances, while only Pavel Pogrebnyak also scored as many as five in his first three in the competition.
- Chelsea had two English players aged 21 or under score in the same Premier League match (Abraham and Mason Mount) for the first time since 22 August 1992, when Eddie Newton and Graham Stuart scored against Sheffield Wednesday.
- Norwich’s Todd Cantwell (one goal, two assists) has already been directly involved in as many Premier League goals in three games as he was in 24 Championship appearances last season.
- Since the start of last season, Norwich’s league matches have seen a total of 164 goals scored (99 for, 65 against), more than any other side in the top four tiers of English football in this time (excluding play-offs).
What’s next?
Following a trip to Crawley in the EFL Cup on Tuesday (19:45 BST), Norwich travel to West Ham on Saturday (15:00 BST) while Chelsea host Sheffield United at the same time.

Entertainment Gists
PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.
The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.
Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.
Early Background and Creative Foundation
Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.
His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.
His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.
Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.
Musical Influences and Artistic Identity
Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.
He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.
These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.
The combination of these influences provides an interesting foundation for understanding his creative direction.
Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.
Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.
Discography and Recorded Musical Journey
PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.
One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.
The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.
He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.
Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.
These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.
Collaboration with Freezy West: The Story Behind “GenZ Luv”
An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.
The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.
The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.
Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.
The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.
Beyond Music: A Multifaceted Creative Personality
While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.
These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.
In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.
His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.
Career Development and the Road Ahead
The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.
For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.
His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.
His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.
As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.
For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.
Entertainment Gists
“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.
For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.
Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.
There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.
The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.
Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.
At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.
Watch IFEOLUWA on YouTube
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
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