
Manchester United recorded their biggest Old Trafford win over Chelsea since 1965 to condemn Frank Lampard to a miserable start as a Premier League manager.
Marcus Rashford scored twice, either side of a close-range effort from Anthony Martial, who had been given the number nine shirt back following the sale of Romelu Lukaku to Inter Milan.
Substitute Daniel James completed the scoring with a goal on his debut nine minutes from time.
The final scoreline was harsh on the visitors, who were the better side before the break and hit the frame of the goal through Tammy Abraham and Emerson, but still suffered their worst ever opening-day defeat in 104 league seasons.
The ecstatic home supporters did not care about that though, as the negativity of a difficult summer was swept away by their best result against Chelsea since they beat them by the same score in the 1994 FA Cup final.
An £80m introduction
United had to pay Leicester £80m – and make Harry Maguire the most expensive defender ever – to land manager Ole Gunnar Solskjaer’s number one summer transfer target.
Maguire’s England team-mate Rashford may grab the plaudits with his brace but the Yorkshireman’s authoritative performance underlined why his new boss wanted him above getting the big name midfield or striking reinforcements so many United fans have demanded on social media.
His calmness under pressure helped ensure that when the home side looked shaky in the first half they did not add to their concerns with self-inflicted mistakes.
Maguire was happy to keep it simple in possession and push the ball on to Paul Pogba when he could, and had the awareness to spot team-mates in trouble, something former United boss Jose Mourinho rather churlishly said on TV might be frequently needed in the case of Luke Shaw.
The game was still in the balance when Maguire stepped up to challenge Abraham on the edge of the United box. Maguire calmly took possession, leaving Abraham on the floor in the process, and strode away, setting in motion the attack that ended with Martial bundling home.
Risky strategy
Lampard went for an early morning run around Old Trafford to prepare for his Premier League debut as Chelsea manager.
The Blues’ record goal-scorer has made some bold decisions already, despite being barely a month into his new job.
He has picked seven home-grown players in his senior squad: the four in action against United – Abraham, Mason Mount, Andreas Christensen and Fikayo Tomori – the currently injured duo of Ruben Loftus-Cheek and Callum Hudson-Odoi, and promising defender Reece James.

It is an unprecedented number for the Roman Abramovich era. But, while it is the philosophy of promoting youth from within that Chelsea’s fans have wanted, it comes with risk.
For every powerful fourth-minute shot from Abraham that thunders off the inside of a post, there is the moment Mount had when, presented with a shooting opportunity from an angle on the right of the United box, the 20-year-old elected for a cut-back, which ran disappointingly through for new United defender Aaron Wan-Bissaka.
Given that investment in youth, this summer’s transfer ban and the departure of Eden Hazard to Real Madrid, Lampard took a brave decision to sell David Luiz to Arsenal on deadline day.
The Brazilian may not be the most reliable defender but his experience is valuable and Luiz’s replacement on Sunday, Kurt Zouma, struggled badly.
He not only conceded the penalty but was also caught out of position and gave away possession, both expensive mistakes in an era when top teams routinely build from the back.
Chelsea’s inability to stem the flow of goals in the second half will be a major concern for Lampard, whose name was still being sung heartily by the visiting fans at the end.
A word for the referee
United’s opening goal came from the penalty spot.
Referee Anthony Taylor played an excellent advantage after Andreas Pereira had been fouled, allowing play to continue as Zouma brought Rashford down.
Never a regular penalty taker for club or country, two of the three penalties Rashford has scored were in the World Cup last-16 shoot-out with Colombia last year and in the fourth-minute of injury-time to give United their memorable Champions League victory against Paris St-Germain in March.
Man of the match – Marcus Rashford (Manchester United)

Day to forget for Lampard – the stats
- Frank Lampard suffered the heaviest defeat by a Chelsea manager in his first match in charge since Danny Blanchflower lost 7-2 to Middlesbrough in December 1978.
- For a second consecutive season, Manchester United’s first goal of their Premier League campaign has been a penalty (also Paul Pogba v Leicester City in 2018-19).
- Chelsea will end the day in the Premier League relegation-zone for the first time since 30 September 2000.
- Since his debut in September 2015, Anthony Martial has scored 49 goals in all competitions for Manchester United – more than any other player.
- The last manager before Frank Lampard to lose by four or more goals in his first Premier League match in charge was Gustavo Poyet in October 2013 (Swansea City 4-0 Sunderland).
- Chelsea’s starting XI average age was 25 years and 199 days – compared to Manchester United’s average age of 24 years and 227 days.
What’s next?
United have a full week to prepare for the game at Wolves on 19 August (20:00 BST). Before then, Chelsea play two games – the Uefa Super Cup against Liverpool in Instanbul on Wednesday (20:00) and a home league game with Leicester next Sunday (16:30).

Entertainment Gists
PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.
The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.
Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.
Early Background and Creative Foundation
Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.
His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.
His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.
Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.
Musical Influences and Artistic Identity
Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.
He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.
These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.
The combination of these influences provides an interesting foundation for understanding his creative direction.
Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.
Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.
Discography and Recorded Musical Journey
PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.
One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.
The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.
He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.
Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.
These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.
Collaboration with Freezy West: The Story Behind “GenZ Luv”
An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.
The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.
The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.
Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.
The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.
Beyond Music: A Multifaceted Creative Personality
While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.
These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.
In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.
His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.
Career Development and the Road Ahead
The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.
For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.
His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.
His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.
As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.
For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.
Entertainment Gists
“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.
For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.
Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.
There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.
The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.
Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.
At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.
Watch IFEOLUWA on YouTube
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
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