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No VAR For Keeper Encroachment At Penalties in Premier League

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The Premier League will not use video assistant referees in 2019-20 to rule on goalkeepers moving off their line to save a penalty.

Three penalties have been retaken at the Women’s World Cup after VAR ruled keepers did not have at least part of one foot on the goalline.

Professional Game Match Officials Limited (PGMOL) will leave such decisions to on-field officials.

PGMOL could review the situation during the season.

VAR will be used in the Premier League for the first time during 2019-20.

Why has this become an issue?

World football’s law-making body, the International Football Association Board, introduced a new rule shortly before the Women’s World Cup on the issue of goalkeeper encroachment at penalties.

It stated keepers must have at least one foot on the goalline when a penalty is taken or, if they are jumping at the time of contact, have one foot in line with it.

World football’s governing body, Fifa, has focused on this during the tournament in France, with some referees warning keepers immediately before spot-kicks.

Why the controversy?

Scotland were knocked out of the World Cup on Wednesday after keeper Lee Alexander initially saved a stoppage-time spot-kick from Argentina’s Florencia Bonsegundo, only for the referee to order a retake because Alexander was judged not to have had at least part of one foot on the goalline.

Bonsegundo scored with the second attempt to ensure the match finished 3-3, eliminating Scotland.

France benefitted from a similar situation in a group game when a penalty against Nigeria hit the post.

Nigeria keeper Chiamaka Nnadozie was ruled to have moved off her line early by VAR and Wendie Renard scored the winner from the second spot-kick.

Italy also scored their first in a 5-0 win over Jamaica with a retaken penalty after goalkeeper Sydney Schneider was punished for moving off her line in saving the initial spot-kick.

‘A World Cup decided by VAR’ – what do pundits say?

“It has never been easier, in the history of football, to score a penalty kick than it is now,” said BBC Sport pundit Pat Nevin.

“If the goalkeeper has to stand on that line and can’t stand behind it, it’s almost like saying ‘we’re going to tie your hands behind your back next time’ just to make it even harder.

“I think it’s really harsh on the goalkeepers just now, and that’s coming from somebody who used to try to take penalties badly.”

Former Scotland Women’s keeper Gemma Fay added: “I understand the letter of the law, but as a goalkeeper thank goodness I am no longer playing because this is beyond ridiculous.

“I think we’re going to have this World Cup decided by VAR by inexperienced officials who haven’t had the opportunity to work with this.

“Football should decide this World Cup, not VAR.”

What are the new rules?

The goalkeeper must have one of his/her feet partly on the goalline (or above it if jumping) when the kick is taken. They cannot stand behind or in front of the line.

The VAR can only penalise “encroachment by an attacker or defender who becomes directly involved in play if the penalty kick rebounds from the goalpost, crossbar or goalkeeper”.

In other tweaks to the penalty laws, the kick cannot be taken while the goalkeeper is touching the woodwork or nets – or if the net or posts are still moving after being touched.

Entertainment Gists

RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

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RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.

Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.

Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.

For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.

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Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype

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If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.

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Entertainment Gists

Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R

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MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.

CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.

In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.

PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.

Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.

INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others

LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.

CONTACT & SOCIALS

Instagram & X: @Johnwisdm @phlox_mgmt

TikTok: @unclewisdom7

Email: phloxentertainment@gmail.com

Phone: 08038448478 | 09015668027

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